Debabrata Basu Art

"At the Trough" is an artwork created on paper using charcoal. The dimensions of the artwork are 51.5x34.5 cm. The composition features a woman and a trough, suggesting a rural scene related to feeding and gathering water. The use of charcoal as the medium creates a rich, textural effect in the artwork. The focal point of the composition is the woman, who is the central figure in the scene. The artist has depicted her with a sense of realism, capturing her features, gestures, and expression. Zigurds Gustins (1919-1950) Graphic artist, teacher. Born in family of peasants. Biruta Gustynya wife - painter and teacher. He graduated from the agricultural high school Mezhotne (1937). He studied at the Latvian Academy of Art (1937-42), member of the student corporation "Dzintarzeme". From 1942 he worked in the management of monuments, drew antiques...

Park is an original drawing in charcoal on paper realized by Simon Goldberg (1913-1985). Hand-signed on the lower left. The state of preservation is good with marks of sticks on the...

In this work I will continue to weave archetypal images of ancient times. The work enters into a dialogue with the symbolism of long-standing visual memory, which appears in various...

"Lady with Books 2", 39x23in / 100x60cm. Original painting. Shipped as it is, stretched, ready for hanging, framed. Framed size 41.5x25.7in. Free shipping with 1stDibs code This p...

☀️Taxi Driver - Dachshund and chicks☀️ In the artistic world, animals have always been key protagonists in expressing the power and beauty of the wild. Artists often use animals as ...

Artist: Jack Graves III (American, 1988-) Title: "Dinner at Dusk" Series: Americana *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2026 Medium: Or...

Love Between Horses Couple Painting One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand pain...

Rosanna Gaddoni (Italian artist) A Midsummer Noon 50 x 65 cm ( framed in wood frame with museum glass) Measurement with included frame: 59 x 74 x 3 cm Charcoal on Paper The Italian ...

In "Whisper of the Soul," my newest addition to the "Myths" series, I have crafted an image that delves into the mystical world of self-discovery and introspection. This artwork can...

Puissance is a beautiful and unique charcoal drawing on paper of a dynamic horse. The Fabriano paper is a high quality watercolor grade set in a custom white wood frame, all archival...

French watercolor and charcoal still-life study of a gleaming teakettle and a mandolin, circa 1930. Original one-of-a-kind vintage work of art on paper displayed on a white mat with...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...