Denière Et Picard Sculptures

Classical terracotta bust in very good original condition showing only light cosmetic wear normal and consistent with age. The bust depicts a woman’s head, her hair is tied back in ...

19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Satyr France, Circa 1875 A good quality 19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Saty...

This finely cast bronze sculpture, made in France in the late 19th century, is a striking representation of a classical Greek warrior — likely a hoplite — caught in the dynamic motio...

A 19th century French silver patinated bronze borzoi on a cream marble base. A beautiful depiction of this sleek handsome dog. In very good condition wit...

This statue featuring a Bacchante is crafted of patinated bronze. In Roman mythology, Bacchae, or Bacchantes, were the female followers of Bacchus. They were often depicted in the co...

A very good quality large 19th century French bronze statue of a classical female figure signed; Graux Marly Jules Graux's foundry was based at 8 rue ...

A very good quality 19th Century French bronze statue of a classical semi clad male archer with Doves at his feet. Signed; Adrien Etienne Gaudez (French, 1845-1902)

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A French Jockey à Cheval tabletop sculpture from the Napoleon III period crafted in gilt and patinated bronze, depicting a jockey and his faithful horse in fine detail. The piece re...

19th century bronze sculpture depicting mozes (michel Angelo).

A very good quality classical Italian bronze statue of a mother and child.

A very good quality large 19th century bronze statue of a semi nude female of Amalthea in Marie Antoinette’s dairy. The original is marble from 1787.. There were different traditions regarding Amaltheia.[3] Amaltheia is sometimes represented as the goat who nurtured the infant-god in a cave in Cretan Mount Aigaion ("Goat Mountain"),[4] sometimes as a goat-tending nymph[5] of uncertain parentage (the daughter of Oceanus,[6] Helios,[7] Haemonius,[8] or—according to Lactantius—Melisseus[9]).[10] The possession of multiple and uncertain mythological parents indicates wide worship of a deity in many cultures having varying local traditions. Other names, like Adrasteia, Ide, the nymph of Mount Ida...