Diana Rosa Paintings

"Memorias" Painting 34" x 28" inch by Antonio Pelayo Medium: Acrylic Ink & Paint on Animation Acetate Image size: 25" x 19" inch Size framed: 34" ...

Painting by Massimo Greco, realized in acrylic and mixed media on wood. Hand signed on rear by the Artist.

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Paul McDowall Another Place, 2025 Signed by the artist Acrylic on canvas 60 x 46 cm 23.7 x 18.2 inches Born in Liverpool and based in New York for over three decades, Paul brings a...

"Hanging Gardens of Babylon 6" is Ananda Kesler's 2017 acrylic on canvas, signed on verso. Abstract painting of violets, purples, and pink....

Pragnesh Patel - Untitled - 36 x 48 inches Oil & Acrylic on Canvas with Fiber Glass Inclusive of shipment in Stretched Form This work cannot be rolled ...

Oberon is historically known as a king of the fairies in medieval and Renaissance literature. Here he is pictured aloft, floating in space, with elongated arms and legs that twist i...

Pit P is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 40 × 30 cm (15.7 × 11.8 in). The artwork is signed, sold unframed and comes with a c...

"Year In Year Out" is a large and intricate acrylic painting created by Joseph Rozman. Rozman is known for his playfulness with colors and shapes, as made evident with this boastful ...

For many people, a visit to a coffee shop is an essential part of the daily routine, whether they’re picking up a cup on their way to work or setting up shop with their laptop for the day. This interior cafe scene invites the viewer in with the idea of a comfortable place to sit and contemplate the days tasks with its warm green, red and soft blue tones. The mismatched chairs...

In this dynamic reinterpretation inspired by Bernini’s angels, Ivan Marković transforms Baroque grace into a storm of contemporary gesture. The angelic face, rendered in cool blues a...

Daphne Sweet, artist working and living in Missoula, Mt. Using acrylic, oil, clay, and fabric. Bouncing between classical references and personal allegory, the paintings and found ...