Dina Gardner Portrait Paintings

'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the entire French Riviera, standing out as one of the main harbours for the boats which sail across the Mediterranean Sea. It accommodates both the ships operated by ferry companies and the private yachts of visitors who come to Nice by sea. The artist here depicts a group of crusty sailors watching...

"Big Ben in Garden" Antique Dog Portrait of a Bulldog Arthur Wardle (England, 1864-1949) Pastel on paper Circa 1900 13 x 9 (17 x 12) inches Though he made his reputation with large...

The lonely demon. 2003, paper, mixed media, 15x19,5 cm Colorful, stylized portrait on black background. Portrait with lilac face and long nose Gunta Liepina Griva...

Opera espressionista ,sui blu e azzurri Edgardo CORBELLI (Torino, 1918 – 1989) Dal tradizionale impianto paesistico degli anni ‘30, la pittura di Corbelli sfocia in esiti tecnico-e...

Portrait of a Woman by Emily Elizabeth Guthrie Smith Signed upper right 30 x 24 Framed Pastel on paper

Jim’s of Lambertville is proud to offer this artwork. Pastel portrait of artist's granddaughter. Complemented by original signed Harer frame. Illustra...

Young Model Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

American cubist portrait painting of the American academic Michael Lerner, by the Modernist artist Michael Hurson (1941-2007). This whimsical portrait is painted in the cubist style ...

Folk art, Naive, Latin American art , Family portrait in the style of a Chinese ancestor portrait. Maria Teresa Vieco is a Colombian artist born in 1953 in Bogota. She studied at th...

JAUME QUERALT (Tarragona, 1949). “Raquel”. Técnica mixta y collage sobre papel. Firmado y titulado en el ángulo inferior izquierdo. Fechado en el ángulo inferior derecho. Medidas:...

FANTIN LATOUR Theodore (1805 – 1875) « Young Lady dressed with middle-age suit » Pastel on card signed low right Old original frame gilded with leaves Dim pastel : 80 X 63 cm Dim fr...

Pastel and charcoal on paper 2020 Signed Unique work Julien Wolf is a French painter born in 1981 in Strasbourg, France. In 2007, he graduated from the DNSEP Art section at the St...