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Earl Horter Prints and Multiples

American, 1881-1940

Earl Horter was born in 1881 in Germantown, Pennsylvania and was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as an art director for the N. W. Ayer advertising firm from 1917–23. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935–39, in Washington, D.C. Horter is listed in Mantle Fielding's Dictionary of American Artists, Who Was Who in American Art and Mallett's Index of Artists. Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson. Horter turned a Philadelphia brownstone into a studio and gallery to house his collection, aided by Paul Cret, the designer of the Barnes Foundation and Rodin Museum. By 1931, Horter would begin selling his collection due to financial need brought about by the Depression. Horter was also a teacher in Philadelphia at the Stella Elkins Tyler School of Art; Graphic Sketch Club (now the Fleisher Art Memorial); and the Philadelphia Museum School of Industrial Art (now the University of the Arts). In 1998, the Philadelphia Museum of Art put on an exhibition, “Mad for Modernism,” Horter and his collection, assembling once again many of the major works of art that comprised the artist's collection. In 1934, the Museum, then called the Pennsylvania Museum, had previously exhibited Horter's collection, though some of the works had already been sold. Several of Horter's prints are in the collection of Georgetown University, in Washington, D.C.

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Artist: Earl Horter
Dark House Etching by Earl Horter, American Modern, Signed, 1930s
Dark House Etching by Earl Horter, American Modern, Signed, 1930s

Dark House Etching by Earl Horter, American Modern, Signed, 1930s

By Earl Horter

Located in New Orleans, LA

Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...

Category

1930s American Modern Earl Horter Prints and Multiples

Materials

Etching

'Woolworth Building Under Construction' — Early 20th Century Modernism
'Woolworth Building Under Construction' — Early 20th Century Modernism

'Woolworth Building Under Construction' — Early 20th Century Modernism

By Earl Horter

Located in Myrtle Beach, SC

Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...

Category

1910s American Modern Earl Horter Prints and Multiples

Materials

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CHURCH IN SNOW
CHURCH IN SNOW

CHURCH IN SNOW

By Earl Horter

Located in Portland, ME

Horter, Earl (American, 1881-1940). UNTITLED (CHURCH IN SNOW). Etching and aquatint, not dated. Signed in pencil, lower right. 6 1/4 x 5 inches (plate), 11 x 8 5/8 inches (sheet). An...

Category

Mid-20th Century Earl Horter Prints and Multiples

Materials

Etching, Aquatint

NEW YORK CITYSCAPE

NEW YORK CITYSCAPE

By Earl Horter

Located in Portland, ME

Horter, Earl. NEW YORK CITYSCAPE. Etching, not dated. Edition size not known. Printed on heavy laid paper, and signed in pencil. 6 1/2 x 6 1/8 inche...

Category

Mid-20th Century Earl Horter Prints and Multiples

Materials

Etching

In the Harbor
In the Harbor

In the Harbor

By Earl Horter

Located in Wiscasset, ME

Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...

Category

1920s Modern Earl Horter Prints and Multiples

Materials

Aquatint

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Previously Available Items
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Archway, with Newsstand. (France).
Archway, with Newsstand. (France).

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Dark House (Philadelphia).
Dark House (Philadelphia).

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c. 1932. Aquatint. 10 1/4 x 11 (sheet 12 5/8 x 15 1/2). A rich impression printed with plate tone on countermarked French wove paper. Unsigned; annotated 'Dark House (Aqua)' in Horter's hand. Another impression is in the Library of Congress. Housed in a 16 x 20-inch archival mat, suitable for framing. Earl Horter...

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Ponte Fabricio, Rome.
Ponte Fabricio, Rome.

Ponte Fabricio, Rome.

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Mount Vernon - Rear.

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Earl Horter prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Earl Horter prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Earl Horter in etching, aquatint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Earl Horter prints and multiples, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Louis Conrad Rosenberg, Bertram Goodman, and Clifford Isaac Addams. Earl Horter prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $160 and tops out at $680, while the average work can sell for $300.