'The Stubborn' by Edmund Bristow (1787 – Eton – 1876) English Painter
By Edmund Bristow
Located in Knokke, BE
Edmund Bristow 1787 – Eton – 1876 English Painter 'The Stubborn' Signature: signed on the nameplate of the cottage 'E. BRISTOW'; titled on the reverse 'Interior of a Cottage with V...
Oil, Wood Panel
Victorian Nineteenth Century Rural Landscape with Horse and Cattle Oil Painting
By Edmund Bristow
Located in ludlow, GB
Edmund Bristow - British Painter 1787 - 1876 Victorian Nineteenth Century Rural Landscape Oil Painting of Horse and Cattle in a Meadow. An unsigned Oil on Canvas, mounted on stretch...
Oil
$770Sale Price|20% Off
H 15 in W 21.75 in D 1 in
Göta Lejon Oil Painting on Linen, Realist Style, Signed, 1990s
By Louis Letouche
Located in Cirencester, Gloucestershire
Göta Lejon, 1746. by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 15 x 21.75 inches Superb oil painting by the well lis...
Oil
Feline Good, Oil Painting
Located in San Francisco, CA
Artist Comments
Artist Jeff Fleming captures a cat in its playful nature. Bathed in a soft morning light, this furry tabby frolics in a field of sweet peas, possibly chasing ...
Oil
$600Sale Price|45% Off
H 18 in W 21 in D 1.5 in
Mountain Lake Forest Landscape Scene - Vintage Art 20th Century Oil Painting
Located in Preston, GB
Mountain Lake Forest Landscape Scene - Vintage Art 20th Century Oil Painting by J Bishop. Art measures 17 x 14 inches Frame measures 21 x 18 inches Vintage painting, ornate gold f...
Canvas, Cotton Canvas, Oil
$1,289Sale Price|25% Off
H 30.5 in W 36.5 in D 1.5 in
The Coriolanus Clipper Sailing Ship at Sea - Vintage 20th Century Oil Painting
Located in Preston, GB
The Coriolanus Clipper Sailing Ship at Sea - Vintage 20th Century Oil Painting by J Bishop. Art measures 32.5 x 26.5 inches Frame measures 36.5 x 30.5 inches This impressive oil p...
Canvas, Cotton Canvas, Oil
$1,111
H 36.6 in W 30 in
French Genre Scene in Parisian park 19th Century Oil painting
By Emile Tabary
Located in Stockholm, SE
Signed by Émile Tabary. Lively scene in in a parisian park, pictured moment of city life of the late 19th century. In this painting, some irony and humor are very subtly felt. One of...
Oil, Cardboard
$8,500
H 40 in W 56.75 in D 1.25 in
"Elephant In The Pool" Lrg Orig. Oil Painting by Robert White, Frameless Display
Located in Encino, CA
“Elephant In The Pool,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and blue...
Oil, Canvas
$1,650
H 8.67 in W 10.24 in D 1.19 in
Leopard- original realist oil painting-contemporary wildlife art
By Lucinda Holland
Located in London, Chelsea
We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...
Oil, Board
United Vision, Oil Painting
By Alana Clumeck
Located in San Francisco, CA
Artist Comments
Fifteen identical horses move in unison across a field of soft, earthy tones, blending seamlessly with the background. Arranged in a deliberate, linear fashion,...
Oil
$3,800Sale Price|20% Off
H 20 in W 17 in D 2 in
Antique English Realist Genre Scene Framed High Society Portrait Oil Painting
Located in Buffalo, NY
George Dunlop Leslie (1835 - 1921) Antique English realist oil painting. Oil on canvas. Signed. Framed. Measuring 17 by 20 overall and 12 by 15 paining alone. Artist Bio: George Dunlop Leslie RA (London 2 July 1835 – 21 February 1921 Lindfield, Sussex) was a British genre painter, author and illustrator. He was born into an artistic family; his father was the notable genre painter Charles Robert Leslie RA, and his uncle Robert Leslie was a marine artist. He studied art first at Cary's Art Academy, then from 1854 at the Royal Academy. His first exhibition at the Academy was in 1859, and he showed his work every year thereafter. He became an Associate (ARA) in 1868 and a full Royal Academician (RA) in 1876.George Dunlop Leslie lived early on in St John's Wood (London), and was part of the St John's Wood Clique, a group of artists who favoured light-hearted genre subjects. From 1884–1901 he was resident at "Riverside", St. Leonard's Lane, Wallingford, Oxfordshire. His sister Mary Leslie (1833–1907), also an artist, lived at "Cromwell Lodge" next door. Fellow artist, James Hayllar, was also a resident of the village and they painted a portrait of Queen Victoria together for her Golden Jubilee in 1887. From 1906 he lived at "Compton House" in Lindfield, SussexHis early works, such as Matilda (1860) showed the strong influence of the Pre-Raphaelites, but he settled into a more academic, aesthetic, style of painting with the aim of showing "pictures from the sunny side of English domestic life". He often used children as subjects and his work was praised by John Ruskin for its portrayal of the "sweet quality of English girlhood". One of his pictures, This is the Way we Wash our Clothes, was used as a poster in an advertising campaign for soap. Despite its apparently trivial subject matter, however, Leslie's work was highly regarded by critics of the time.In 1889 during his time at Riverside house in Wallingford Leslie is credited with painting four angel murals in St Leonards Church.Leslie was also an author and had several books published. Our river (1888), Letters to Marco (1893) and Riverside letters (1896) were all illustrated by him in black and white, and based on personal observations of life and nature in his local area. He also wrote a history of the early years of the Royal Academy - The inner life of the Royal Academy.Leslie was married to Lydia. They had a daughter Alice (depicted in his painting Alice in Wonderland) and a son Peter Leslie...
Canvas, Oil
$850
H 28.2 in W 24.3 in D 1.5 in
19th Century British Victorian Romantic Young Woman Portrait Oil Canvas Framed
Located in Stockholm, SE
Stepping into the quiet world of mid-19th-century Victorian romanticism, this European portrait offers a deeply poetic scene. A young girl has paused her journey across endless golde...
Canvas, Wood, Oil
Landscape with Two Bathers
By Guillaume Dulac
Located in London, GB
'Landscape with Two Bathers', oil on panel, by Guillaume Dulac (circa 1920s). Dulac's oils and drawings manifest an elegant classicism with an immediately identifiable style. It is these qualities which are so attractive both aesthetically and in the context as an investment in fine art. Our gallery holds virtually the entire remaining collection of Guillaume Dulac's sketches and memorabilia with impeccable provenance. In this acquisition of a Dulac oil painting, one finds a depiction of two women, one of them in the nude, seated on the edge of a bathing pool. The other is peacefully seated on a comfortable boulder stone...
Oil, Wood Panel
$6,000
H 24 in W 30 in D 1 in
"Tribal History", John Berry, Oil on Canvas, 24x30 in., Native, Wolf, Pictograph
Located in Dallas, TX
John Berry is a well-known English artist who painted portraits of the royal family. During his career, he discovered Edward Curtis's photographs of Native ...
Canvas, Oil
Edmund Bristow, Farmyard With White Mare, Oil Painting
By Edmund Bristow
Located in Cheltenham, GB
This fine mid-19th-century oil painting by British artist Edmund Bristow (1787-1876) depicts a farmhouse with a saddled white mare taking water while a cockerel looks on. An older ma...
Oil, Canvas
Spaniels and a terrier in a landscape
By Edmund Bristow
Located in Stoke, Hampshire
Edmund Bristow (1787-1876) Spaniels and a terrier in a landscape Oil on canvas Canvas size 14 x 19 in Framed size - 16 1/2 x 21 1/4 Edmund Bristow was born in Windsor on 1st April 1787 and spent his whole life there. He had a reputation as rather reclusive and consequently not much is known of the background details of his life. When he died in 1876, the Art Journal could find almost nothing to write about in its obituary of him such was the privacy of his life. His father was a heraldic painter and probably gave his son his early instruction in painting. Bristow often favoured painting small works often painted on wooden panel with scenes around his native Windsor and Eton with meadows, pools and heath land with finely observed animals and found a good market for these among the local populace and from the school. He has been described as the "Little Master of English landscape painting" and Grant writes of his technique: "…with beautiful brushwork and immaculate liquid impasto he reproduced atmospheric effects of actual grandeur, often with the lurid lilac tone of an impending thunderstorm or the haze of a midsummer afternoon." In his small works, the careful and meticulous detail emulated the manner and technique of the cabinet paintings from the 17th century Dutch Golden age. Another critic wrote: "Usually known for his exquisitely detailed oils in small scale, he also painted larger canvases with delightful sensitivity and skill." The subject matter portrayed in Bristow's work was wide and included domestic interiors, street scenes with shops particularly in Windsor and its environs, landscapes, some portraits and equestrian portraits and open air genre scenes with boys at play, and still life as well as a large selection of sporting scenes - particularly favouring shooting and coursing subjects - and animals. Some of his pictures were humorous compositions such as "Before the Monkey Duel," "A Monkey holding up a Notary" and "Dispensing of medical electricity (electrotherapy)." He was a friend of the outstanding Victorian animal painter Sir Edwin Landseer and it is believed that Bristow gave advice and assistance to the younger artist. Early in his career, Bristow had secured some important patrons which included Princess Elizabeth and the Duke of Clarence who later became William IV. However, for an artist of such marked ability and acuity, his output seems lower than one might expect, especially considering that he lived until he was eighty-nine. His temperament may well have had a lot to do with this as he was known to hold strong and eccentric views. Furthermore, he rarely worked to order and even when a piece was completed, would then refuse to sell it. He ceased painting altogether in 1847, thirty years before he died on 12th February 1876, for reasons which have never been established and one can only assume that apart from his contrariness, he must have been financially secure enough not to have to work. He exhibited twelve works at the Royal Academy, eleven at the British Institution and eight at the Royal Society of British Artists. Some examples of these works are: "Sporting dogs," "Terriers and rabbit," "A smith shoeing a horse," "Portrait of Jefferies, many years an earth-stopper to the Berkeley hounds," "Portrait of Mr Norman...
Oil
Edmund Bristow, Travellers In A Wood, Oil Painting
By Edmund Bristow
Located in Cheltenham, GB
This mid-19th-century oil painting by British artist Edmund Bristow (1787-1876) depicts a travelling family within a woodland setting. Bristow was an e...
Canvas, Oil
Horses Grazing by a Stream, 19th century.
By Edmund Bristow
Located in Stockholm, SE
The talented artist Edmund Bristow lived and worked for his whole life in his hometown of Windsor. His farming life paintings were generally on a small ...
Oil, Board
Catching the Butterfly and Feeding the birds
By Edmund Bristow
Located in Woodbury, CT
Bristow was born in Eton, Berkshire, the son of an heraldic painter. At an early age he was patronised by the Princess Elizabeth, the Duke of Clarence (afterwards William IV), and ot...
Oil