Edward Maufe Art

Original watercolor on archival paper of a Rocky Mountain Meadow by the well known American artist, Werner Drewes. Signed lower right. Titled and dated 1956 on verso of sheet. Con...

G Sinclair - Green and Purple Composition, Year: 1969, Medium: Watercolor on Paper, signed and dated in pencil, Image Size: 12.5 x 11 inches, Size: 15.25 x 12 in. (38.74 x 30.48 ...

Golden Hour at the River - Watercolor Landscape on Paper Glowing sunset landscape by Rosalind O'Neal (American, b. 1927). A river winds winds towards the viewer, reflecting the glowing sunset. On the left bank, there are rows of crops in yellow and orange. On the right side, trees and shrubs line the bank. In the distance green and golden hills meet the sky. Signed "Rosalind O'Neal" in the lower right corner. Presented in a copper colored frame with a double mat. Frame size: 17"H x 21"W Image size: 12"H x 16"W Rosalind O’Neal (American, b. 1927) was a longtime Ukiah, CA resident and a member of the Mendocino County Art Association. O’Neal was primarily a watercolor artist, focusing on portraits and landscapes, but has also worked in acrylic at times. 1997 - Ukiah Main Office Savings Bank of Mendocino County, Ukiah, CA 2003 - Savings Bank of Mendocino, Ukiah, CA 2004 - Mendocino County Art Association’s Golden Anniversary...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 12 x 9 ½ inches unframed sheet, 15 x 12 ½ inches framed, signed lower left About the Artist: Nan Watson...

Apparently Bendiner never went a day without drawing. He was amazing! From Bendiner's Philadelphia the New Jersey beaches were an easy drive. Avalon is st...

Apparently Bendiner never went a day without drawing. He was amazing! In this scene of a young 'cowgirl' is working a lasso while an 'old cowhand' looks on -- clutching a cigaret of...

'Le Pont Neuf', gouache on fine art paper, by Lucien Génin (circa 1930s). The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. It stands by the western point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris. It is called 'The New Bridge' because at the time of its inauguration (built 1578-1607), it embodied a very modern look compared to other bridges which spanned the Seine. Lucien Génin has captured its beauty in this lively depiction from the 1930s. Just before the bridge is a 'Bateau Mouche' an open excursion boat that provides visitors with a view of the city from along the river. The artwork is in good overall condition commensurate with age and medium used. It has been newly frame with anti-reflective glass. Please enjoy the photos accompanying this listing. Signed by the artist in the lower left hand. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Classic mid-century California seascape watercolor of the crashing surf on the rocky coast by Santa Cruz, California artist Margaret E. Rogers (American, 1872-1961), c.1950. Rogers was one of the original "Jolly Daubers" who studied with Frank Heath and took wagon trips to the redwoods and Yosemite to paint. Signed "M.E. Rogers" lower right. Presented in a rustic giltwood frame under glass. Image, 16.5"H x 18.5"L. Margaret Esther Rogers' (1872 - 1961) early childhood was spent in England. The Rogers were a cultured family who came to California for the father’s health and settled on a ranch in the King City area. Margaret grew up in the curiously paradoxical world of early California, breaking her own riding horses and roping cattle during the day, doing a man’s work, riding a man’s saddle, then sitting down to the piano to play classics in the evening after high tea. Margaret’s mother had the only piano for 80 miles around. Her father, Robert J. Rogers, had been an importer of fine tea, coffee, and spices in England. In Monterey County, he raised sheep and cattle and the family lived under comparatively rustic and modest conditions. When Margaret wasn’t riding, tending a herd, plowing a field, or playing the piano, she was painting. Art was an early love. Fame caught up with her early. She was written up in a San Francisco newspaper as “Monterey County’s pretty girl who rides a man’s saddle, marks and brands stock, breaks wild colts, plows and sows, plays classical music and paints in oils.” Margaret’s mother was her first music and art teacher; later she took art lessons from Kate Baldwin in Salinas. She had suitors and several proposals, but never married. In the year 1898, Margaret’s “intended” put in 700 acres of grain, spending all he had plus money he borrowed. Not a spear of grain grew, she wrote, and their plans to marry when the crop was sold dried up with the weather. When her mother died, Margaret and her father moved to Soquel, taking along her favorite saddle horse. Now living in Santa Cruz County, Margaret at once became involved in art circles which were unofficially headed by Frank Heath and his wife, Lillian Dake Heath. Frank Heath and Margaret together founded Santa Cruz Art League in 1919, and a few months later were joined in their efforts by a Dutch woman named Cor de Gavere who arrived in Santa Cruz. The two women artists, Margaret and Cor, became fast friends and remained so until Cor’s death in July 1955, while she was visiting relatives in Holland. They painted together almost every day and shared many meals at each other’s cottages which were just a few blocks apart in the Seabright area. However, those Victorian ladies, raised in the era of rigid social conventions, always addressed each other as ‘Miss Rogers’ and ‘Miss de Gavere’ as long as they lived. Money was never in great supply for either lady, but Cor managed to buy a small automobile, and after six driving lessons the two of them took off for southern California. Cor and Margaret took many camping and painting trips in Cor’s automobile. Sometime later, Margaret herself got brave enough to buy an auto. From 1925 to 1947, Margaret made her home in the basement of the Arts and Crafts Building. She managed the Art League’s first gallery, which was started there. Holding informal court for friends who called, Margaret would open a can of sardines, put out a plate of crackers, and conversation about art or music would follow. During World War II, Margaret raised rabbits in cages. In later years, Margaret purchased a small studio-home on Alhambra Street – still in the Seabright area, which both women clung to as home territory. In 1929, Margaret helped found the Art League’s first Statewide Show, which became an annual event. She served as show chairwoman for more than 20 years. A fine painter of landscapes, Margaret became better known for her strong marine scenes. Once she explained that the ocean was “the real challenge, because it won’t stand still.” She served as president of the Art League from 1925 to 1947. Short, stocky, outspoken and very talented, Margaret gained many honors in her later years. With her short haircut and her dark dresses...

This watercolour captures the charm of a Parisian street scene in the Parisian district of Montmartre. The artist skillfully renders the narrow, winding street, flanked by traditiona...

The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape Exquisitely detailed 1888 watercolor of The Nailsmith Houses, a historical building in Rattenberg, A...

Wonderfully vivid winter landscape painting, attributed to Ingeborg Christensen (Danish/American, 20th Century), c.1940. Signed "Ingeborg" lower left. Presented in a light orange/tan...

G Sinclair - Blue and Red Composition, Year: 1969, Medium: Watercolor on Paper, signed and dated in pencil, Image Size: 14 x 11 inches, Size: 15 x 12 in. (38.1 x 30.48 cm)