Elie Nadelman Art

George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...

Vintage Cast Plaster Loaf of Bread Bookends, Circa 1970s. Very sturdy cast plaster sculptural loaf of bread, split down the middle to function as bookends. Underside of each is lined...

This large and impressive bust cast in plaster and then placed on a carved stone socle is truly a great decorative object. This figure is after the model produced by Caffieri and dep...

HELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Geometric Form Plaster Cat Sculpture Appears to be an adaptation of "Calico Cat" by American artist Juliette Steele 6"W x 11"D x 10"H

Art Deco cast-brass snake sculpture (ca. 1930s, USA). Hammered details are faithfully representative of scales. Elegant objet d'art that sits flat on a surface and enhances any decor...

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...

Antique Art Deco Cast Iron Figural Horse Form Black & Yellow Doorstop. Weighs approx 10 lbs. Circa Early 20th Century. Measurements: 7" H x 8" W x 2" D.

A striking large scale plaster torso dating from the mid 20th century - this sculptural piece is grand in scale and highly decorative. With its simplified form and softly weathered...

"Le Coquille" in Hand-Cast Ceramic Plaster Inspired by the simple elegance of marine life, each piece is individually cast in high-grade ceramic plaster and hand-refined by master ...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...