Elkington & Co. Wall Decorations

Antique 19th Century Victorian superb pair of Renaissance Revival electrotype wall chargers, created by Elkington & Co. The design, named "The Seasons," was conceived by Léonard Morel-Ladeuil, a masterful French goldsmith and sculptor known for his legendary contributions to Elkington's portfolio. The shields reflect Morel-Ladeuil's artistry, showcasing reclining maidens in high relief along the border, each symbolising astrological signs. The central cavetto displays intricate griffin scrolls, ringed planets, and plaques representing the months. One charger, representing January through June, features putti flying around floral arrangements, while the other, symbolising July through December, is adorned with harvest motifs. Together, they offer a beautiful homage to the seasons. Elkington & Co., known for its pioneering electroplating process, held Royal Warrants from Queen Victoria to King George VI. Morel-Ladeuil's collaboration with Elkington spanned 23 years, resulting in remarkable works such as this pair. One inscribed: "Presented to Miss Walker on her marriage by the employes of Peter Walker...

Utilizing the metalworking technique known as repousse, where images are hammered from the verso side, this pair of copper reliefs depict two scenes from Shakespearean plays. After the original 1812 panels by Elkington & Co, the famous silver manufacturing company from Birmingham, England, our scenes are from the late 1800’s and have been mounted on wood backing boards with a high sheen black finish and beveled edges. One relief features a scene from The Merchant of Venice, while the other depicts Much Ado About Nothing. Both scenes are surrounded by a raised molding festooned with arabesque. The molding is bordered on all sides by a shaped border adorned with a mascaron in each corner surmounting foliage and stage props. In between the faces along both vertical side is a geometric engraving topped by an apothecary scale (Merchant) and lyres (Much Ado). All other elements are identical, with the exception of the plaque at the bottom that gives the play’s title. Of note is the cartouche above each scene, which depicts two winged cherubs holding a laurel wreath above a cameo of The Bard himself. Shakespeare is surrounded by books and a floral swag. Our copper relief panels...

This is a pair of wood framed silver plate metal plaques that date to the 1800s. Each is covered it its original glass and has a black velvet surround to the plaque. They feature cla...

Description Antique 19th century rare Victorian silver plated electrotype model of the Milton Shield, of oval form, decorated with scenes from John Mi...

These large copper plaques depict scenes from Shakespeare's plays "Much ado about Nothing" and the "Merchant of Venice". These particular plaques date to the end of the 1800's and ha...