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Émile Gallé Boxes

French, 1846-1904

“Art for art’s sake” was a belief strongly espoused by the celebrated French designer and glassworker Émile Gallé. Through his ethereal glass vases, other vessels and lamps, which he adorned with botanical and religious motifs, Gallé advanced the Art Nouveau ideology and led the modern renaissance of French glass.

Gallé was the son of successful faience and furniture maker Charles Gallé but studied philosophy and botany before coming to glassmaking later in life. The young Gallé’s expertise in botany, however, would inform his design style and become his signature for generations to come.

After learning the art of glassmaking, Gallé went to work at his father’s factory in Nancy. He initially created clear glass objects but later began to experiment with layering deeply colored glass.

While glassmakers on Murano had applied layers of glass and color on decorative objects before Gallé had, he was ever-venturesome in his northeastern France, taking advantage of defects that materialized during his processes and etching in natural forms like insects such as dragonflies, marine life, the sun, vines, fruits and flowers modeled from local specimens.

Gallé is also credited with reviving cameo glass, a glassware style that originated in Rome. He used cabochons, which were applied raised-glass decorations colored with metallic oxides and made to resemble rich jeweling. Gallé's cameo glass vases and vessels were widely popular at the Paris Exhibition of 1878, cementing his position as a talented designer and pioneer.

During the late 19th century, Gallé led breakthroughs in mass production and employed hundreds of artisans in his workshop.

Botany and nature remained great sources of inspiration for the artist's glassmaking — just as they had for other Art Nouveau designers. From approximately 1890 to 1910, the movement’s talented designers produced furniture, glass and architecture in the form of — or adorned with — gently intertwining trees, flowers and vines. But Gallé had many interests, such as Eastern art and ceramics. The Japanese collection he visited at the Victoria and Albert Museum in London (then the South Kensington Museum) during the 1870s had made an impression too.

Breaking free from the rigid Victorian traditions, Gallé infused new life and spirit into the art and design of his time through exquisitely crafted glass vessels and pioneering new glassworking techniques.

Find a collection of Émile Gallé vases and other furniture and decorative objects on 1stDibs.

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Creator: Émile Gallé
Émile Gallé Marquetry "Mayfly and Ferns" Coffret
Émile Gallé Marquetry "Mayfly and Ferns" Coffret

Émile Gallé Marquetry "Mayfly and Ferns" Coffret

By Émile Gallé

Located in New York, NY

The motifs on this coffret by Émile Gallé depict a mayfly flitting among a bed of ferns. Hatching in summer and living only a few hours before mating and dying, the mayfly has long s...

Category

Early 20th Century French Art Nouveau Émile Gallé Boxes

Materials

Fruitwood

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Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...

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Galle Cameo Glass Trinket Box With Ash Leaves and Seed Pods c1905
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A French Art Nouveau lidded box with marquetry decoration in a landscape motif by Emile Gallé. The detailed marquetry work makes this piece appear more painted than carved. Galle’s landscape...

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Early 20th Century French Art Nouveau Émile Gallé Boxes

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French Art Nouveau Cameo Glass Vase by, Emile Galle

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A French Art Nouveau Monumental Cameo Glass Vase by, Emile Galle decorated with purple flower against a peach - pink background with green-brown leafage. The vase is signed, "Galle" ...

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Early 20th Century American Art Nouveau Émile Gallé Boxes

An Art Nouveau Box with Marquetry Decoration by Emile Gallé
An Art Nouveau Box with Marquetry Decoration by Emile Gallé

An Art Nouveau Box with Marquetry Decoration by Emile Gallé

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A French Art Nouveau lidded box with various exotic wood and marquetry decoration in a foliate motif by Emile Gallé. The box is decorated with intricate marquetry work and further de...

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Early 20th Century French Art Nouveau Émile Gallé Boxes

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Emile Gallé boxes for sale on 1stDibs.

Emile Gallé boxes are available for sale on 1stDibs. These distinctive items are frequently made of glass and are designed with extraordinary care. Many of the original boxes by Emile Gallé were created in the Art Nouveau style in france during the 20th century. If you’re looking for additional options, many customers also consider boxes by and Alfred Daguet. Prices for Emile Gallé boxes can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $4,500 and can go as high as $4,500, while a piece like these, on average, fetch $4,500.