Émile Gérard Paintings

"Dancing with" Abstract Acrylic on Linen Painting 46" x 30" inch by Hossam Dirar "Dancing with" (2016) by Hossam Dirar 46” x 30” Mixed media on linen canvas CHAOS This project i...

Introducing "Monochromatic Musicians - In Deep Green" by the renowned artist Koko Hovaguimian. This captivating oil painting transports the viewer into a world of evocative artistry,...

Untitled Mixed media on paper, 1979 Signed and dated ‘79 lower right (see photo) Sheet size: 31 1/2 x 48" Frame: 34 1/4 x 50 1/4" Provenance: Members Gallery, Albright-Knox Art Galle...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid col...

3 Figures- Combined, oil on canvas, sighed lower right by KOKO. Artist authenticity certificate is available.

The piece is called ‘The Piano’ because it is the central instrument in the orchestra arrangement and composition. -"As a pianist myself, one of my favorit...

"Calypso II" Abstract Painting 51" x 83" inch by Carole Baines Carole Baines is a self-taught, London-born artist based between Townsville and Brisbane, Queensland, Australia. Carol...

KOKO, facade study artwork size is 11x13.5 inches and framed size is 8x22. 5 inches, oil on paper. KOKO BETWEEN TWO WORLDS: ART AND ARCHITECTURE KOKO is an international artist an...

Geometric Musicians is Koko Hovaguimian’s first major painting completed in 2026 and marks an important continuation of his evolving abstract language. In this work, fragmented geome...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid col...

This minimalist diptych by Ryan Rivadeneyra explores rhythm, balance, and repetition through softly undulating horizontal bands. Layered tones of blue, charcoal, and red evoke shifti...

Words and Deeds Oil and collage on wood panel, c. 1990 Signed recto lower right (see photo) Verso: See photo Signed, verso: Ben Wilson Dated: c. 1990 Titled: Words and Deeds Condition: Excellent Image/panel size: 23 1/4 x 19 inches Frame size: 26 1/4 x 21 1/4 inches To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his rst one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, lled with what he called “the grief of the intolerable” and reecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identied strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specic imagery persisted but became more psychological and mythic in orientation. Inuenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early gurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, inuenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson lled notebook after notebook with drawings that he amplied in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...