Emilio Perez Romero Paintings

"Spirit" a bold and thoughtful cubist oil on canvas was painted in December of 2001 by African American artist William (Bill) Cooper. William Y. Cooper was a writer, painter, muralist, illustrator, and art teacher. He moved to Western New York in 1954 from Birmingham, Alabama, to pursue work, and Buffalo has been his home ever since. In 1975, he received his Bachelor of Fine Arts degree from the University at Buffalo; he was also a state certified art teacher. Cooper woked primarily in oils and acrylics, but also creates drawings on paper. He has painted several commissioned murals and has had more than fifteen one-man shows in Western New York and Ghana, West Africa, and has participated in more than twenty-five group exhibitions since he began his professional career in 1969. His paintings and drawings address both his African heritage and his experience as an American through symbolism and metaphor. He observes, “I am an Afrocentric artist. My worldview is rooted in an African frame of reference and a deep, abiding sense of the creator from whence I draw my inspiration, strength, and a sense of who I am. The use of symbols allows me to explore literal ideas.” Among Cooper’s published works are two children’s books, 77 Jackson Street, Rear and Nakai and the Red Shoes, and a novel for adults, The Mopane Tree. Cooper founded the Afrocentric Artists’ Collective and ran the organization from 1979 to 1981. In 2013 he was designated a “Living Legacy” artist by the Burchfield Penney Arts Center, the latest in a series of honors which has also included awards from the Arts Council of Buffalo & Erie County, the New York State Council on the Arts, and Alpha Kappa Alpha...

Oil on board. Signed. Framed. Image size, 23 1/2H x 29 1/2L

"Fresh Imbalance" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of colorful sculptura...

Belgian artist Miette Braive(1916-2000), was classically trained in Belgium, before moving to Paris to pursue her art career as first a student and then a contemporary of the French ...

Late 20th Century French oil on board painting of stylised African Tribal masks by Charles LeBris. Signed, dated and numbered bottom right. An arresting and colourful work reminiscent of the paintings of Picasso and Modigliani from the beginning of the 20th century. Le Bris has taken as his subject the Baule masks...

Vintage modernist abstract expressionist painting. Oil on board. Housed in a period frame. Image size, 16L x 20H. Signed.

Elisabeth DUJARRIC de LA RIVIÈRE (Jouy-en-Josas 1930 - Excideuil 2005) Self-portrait with apple Oil on canvas H. 100 cm ; L. 73 cm Sig...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting com...

Georges Dayez (French, 1907-1991). “Vendimia” Vintage / Grape Harvest / Wine Harvest , Oil on paper, 20”x 26 1/3, framed 27 1/4 x 33 1/4. Dayez was a...

Vintage American modernist cubist abstract painting. Watercolor gouache and pastel on board. Unsigned. Framed. Image size, 11"L x 11"H.

Finely painted bright and brilliant cubist winter landscape. Framed nicely and signed lower right. Excellent mid century example.

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. As with many artists, his earliest style was more realist imagery, transitioning through his intense fascination with the cubist avant-garde movement, into specific cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. “The Yellow Mandolin”, is an exceptional early work, an original oil on canvas, signed, dated 1974, with an image dimension of 40 x 30 inches; a painting which clearly defines his talent as a fine cubist artist...