Emily Joyce Art

Artist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...

Artist: Jay Rosenblum (Americam, 1933-1989) Title: "Grove #1" *Signed by Rosenblum in pencil lower right Year: 1979 Medium: Original Screenprint on white Stonehenge paper Limited edi...

Carlos Garcia De La Nuez (Cuba, 1959) 'Pausas', 2006 silkscreen on paper 19.7 x 23.7 in. (50 x 60 cm.) Edition of 99 Unframed ID: GAR1649-006-104 ____________________________________________ "Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

Jean Baier (1932-1999) was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an artistic fascination for practica...

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 36 x 36 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

"Lullaby in February" is an enigmatic and deeply evocative work that showcases Pedro Friedeberg’s mastery in blending the absurd with the sublime. In this piece, the artist offers a ...

Set of 10 colour screenprints by Josef Albers. Edition of 250 copies on Mohawk Superfine Bristol. Sheet dimensions each: 43 x 43 cm Illustrations each: 28 x 28 cm All works labell...

Sol LeWitt Untitled geometric abstraction for Ugo Ferranti Gallery Exhibition Invitation, Rome, Italy, 1980 Rare vintage silkscreen poster for Ugo Ferranti in Rome. Signed by Sol LeW...