Emma HACK Art

Capucine, 1957 Fiber print 40x30 inches Estate stamped and numbered edition of 150 1957: French actress Capucine, (Germaine Lefebvre) (1933 - 1990) fanning herself at a New Years Ev...

Large and wonderful B & W photograph by American photographer Andreas Feininger (1906-1999). Photograph is of a gorilla rib cage. Printed in 1951, it measures 8ft. 10 in. x 10ft. Photograph is attached to linen and can be rolled for easy storage and shipping. Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew, and the American painter and art educator Lyonel Feininger (1871-1956). His paternal grandparents were the German violinist Karl Feininger (1844–1922) and the American singer Elizabeth Feininger, (née Lutz), who was also of German descent. His younger brother was the painter and photographer T. Lux Feininger (1910–2011) In 1908 the Feininger family moved to Berlin, and in 1919 to Weimar, where Lyonel Feininger took up the post of Master of the Printing Workshop at the newly formed Bauhaus art school.[2] Andreas left school at 16, in 1922, to study at the Bauhaus; he graduated as a cabinetmaker in April 1925. Afterwards he studied architecture, initially at the Staatliche Bauschule Weimar (State Architectural College, Weimar) and later at the Staatliche Bauschule Zerbst. (Zerbst is a city in the German state of Saxony-Anhalt, about 20 km from Dessau, where the Bauhaus moved to in 1926.) The Feininger family moved to Dessau with the Bauhaus. In addition to continuing his architectural studies in Zerbst, Andreas developed an interest in photography and was given guidance by neighbour and Bauhaus teacher László Moholy-Nagy. In 1936, he gave up architecture and moved to Sweden, where he focused on photography. In advance of World War II, in 1939, Feininger immigrated to the U.S. where he established himself as a freelance photographer. In 1943 he joined the staff of Life magazine, an association that lasted until 1962. Feininger became famous for his photographs of New York...

Holiday in Capri by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Holiday in Capri' is a Limited Edition Estate Stamped Digital...

Ancient views of Tokyo is a set of four original vintage albumen prints, hand colored, on single cardboard: 26 x 34 cm. They were realized between the 1880s and the early 1890s. F...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ FlowerHead ‘ who was captured on film ...

Baseball - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century. With t...

Volleyball in Santa Barbara, 1975 by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Volleyball in Santa Barbara' is a Limited Ed...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects ...

Myron Wood (American, 1921–1999) Untitled (Georgia O'Keeffe's Home, Abiquiú), 1980 Gelatin silver photograph. Signed Image: 15¾ × 11¾ inches Framed: 17¾ × 14¼ × 1 inches An evocativ...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

Man Walking Past Parking Lot is a Black and White Photographic Print on Hahnemuhle Paper in an Edition of 10 in this size of 24" x 34". States of America is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...

Bahamas Speed Week, Nassau, 1963, by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Bahamas Speed Week, Nassau, 1963" is a beaut...