ET Projects: Elizabeth Turk

Shades of Pale (Wallscape) by Frank Schott from a series of photographic observances capturing urban textures and color palettes 29 x 40 inches / 74cm x 102cm edition of 25 si...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Christ Light, a modest church interior illuminated by the bold geometric multi-colour stained glass, photograph from Richard Heeps' series, On-Sea. This artwork is a limited edition...

This is an exclusive handprinted limited edition cyanotype. "Miami Art Deco Pool" shows the movements of water over a tiled swimming pool floor. Details: + Title: Miami Art Deco Poo...

Peter Knapp’s “Midnight Meadow” is a striking monochromatic woodcut matted and presented in a 33.625 x 41.125 inch walnut-finish frame under plexiglass. Utilizing two woodblocks on O...

Framed, Hand-woven photography print. This piece is an original artwork by Jason Chen titled "Like Nobody’s Watching". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 40.5”h x 30”w and ships framed in the pictured 44.75”h x 34”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his first solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

Blue Moon - Still Life Photographic Print Framed 120x120cm Austrian Contemporary Photographer Pia Clodi, demonstrates immense skill through her analog photography, which is often p...

Bunker Filing cabinet, vintage interior photograph from Richard Heeps' Vietnam series, This is not America. This artwork is a limited edition of 25, gloss photographic print, dry-mo...

Rosegarden II (Suburbia) - 2004 Edition 3/5, 60x80cm. Analog C-Print, hand-printed by the artist, based on the original Polaroid, mounted on Aluminum with matte UV-Projection. A...

Rebecca Swanson, Eye of the Iris III, Limited Edition Photograph, 25x25. It is has a Plexifacemount. This stunning image is filled purples and a touch of green, yellow and brown. ...

Orange and Yellow Locomotive from the Florida East Coast Railroad line, this large scale photograph is a 20"x60" limited edition chromogenic print edition of 10 signed upon reverse. ...

This piece is an original artwork by Jason Chen titled "Two-Thirds". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 16”h x 12”w and ships framed in the pictured 19”h x 15”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...