Eugène Burnand Art

Artist: Eugène Burnand

Eugène BurnandWrestling - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Wrestling - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Wrestling is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artw...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Descent of the Herds - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Descent of the Herds - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Descent of the Herds is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through short and deft st...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Speech - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Speech - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Speech is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through short ...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Herd - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Herd - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Herd is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through short and deft stroke...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandHorse Drivers - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Horse Drivers - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Horse Drivers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through sho...

Category

Late 19th Century Old Masters Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Beggar - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Beggar - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Beggar is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandFishermen - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Fishermen - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realize...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandMourning - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Mourning - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Mourning is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through short an...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Meeting - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Meeting - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Meeting is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through short ...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandDeath Beside The Sea - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Death Beside The Sea - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Death Beside The Sea is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized thr...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandFishermen - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Fishermen - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realize...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Nursing - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Nursing - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandIn the Church - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

In the Church - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

In the Church is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through sho...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Framers - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Framers - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Framers is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized thro...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Well - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Well - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Well is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandHillside - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Hillside - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Hillside is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. ...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Death of Mireille - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Death of Mireille - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Death of Mireille is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized thr...

Category

Late 19th Century Old Masters Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandHerd - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Herd - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Herd is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The a...

Category

Late 19th Century Old Masters Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandIn The Forest - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

In The Forest - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

In The Forest is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through short and deft strokes, a...

Category

Late 19th Century Old Masters Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Portrait - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Portrait - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Portrait is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized thro...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandThe Farmers - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

The Farmers - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

The Farmers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized throu...

Category

Late 19th Century Old Masters Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandOld Woman with Stick - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Old Woman with Stick - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Old Woman with Stick is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized thro...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandCocoons - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Cocoons - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Cocoons is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandIn The Garden - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

In The Garden - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

In The Garden is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through sh...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Eugène BurnandLovers in Meadow - Etching by Eugène Burnand - Late 19th century, Late 19th century

$234

Lovers in Meadow - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Lovers in Meadow is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through ...

Category

Late 19th Century Modern Eugène Burnand Art

Materials

Engraving, Etching

Johann Daniel PreisslerMeridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master, 1723

$900

H 22.5 in W 16.32 in

Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master

By Johann Daniel Preissler

Located in Saint Augustine, FL

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Category

1720s Old Masters Eugène Burnand Art

Materials

Laid Paper, Engraving, Etching

Johann Daniel PreisslerAurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master, 1723

$900

H 22.57 in W 16.38 in

Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master

By Johann Daniel Preissler

Located in Saint Augustine, FL

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Category

1720s Old Masters Eugène Burnand Art

Materials

Laid Paper, Engraving, Etching

Johann Daniel PreisslerVespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master, 1723

$900

H 22.5 in W 16.63 in

Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master

By Johann Daniel Preissler

Located in Saint Augustine, FL

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Category

1720s Old Masters Eugène Burnand Art

Materials

Laid Paper, Engraving, Etching

Charles Frederick William MielatzCoenties Slip, 1907

$400

H 13.9 in W 9.77 in

Coenties Slip

By Charles Frederick William Mielatz

Located in Middletown, NY

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Category

Late 19th Century American Modern Eugène Burnand Art

Materials

Handmade Paper, Drypoint, Etching

Elizabeth VernerLow Country (South Carolina), 1930

$2,000

H 6.94 in W 5.07 in

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Category

Early 20th Century American Modern Eugène Burnand Art

Materials

Archival Paper, Drypoint, Etching

Louis H. RuylNew York Skyline, 1920

$450

H 9.18 in W 12.72 in

New York Skyline

By Louis H. Ruyl

Located in Middletown, NY

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...

Category

Early 20th Century American Modern Eugène Burnand Art

Materials

Handmade Paper, Etching, Drypoint

Rembrandt van RijnThe Bathers ("De Zwemmertjes"), 1651

$3,500

H 4.25 in W 5.38 in D 2 in

The Bathers ("De Zwemmertjes")

By Rembrandt van Rijn

Located in New York, NY

Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet size 5.38 x6.5 inches. Frame size 14.25 x 16.75 inches. Catalogue raisonné references...

Category

1650s Old Masters Eugène Burnand Art

Materials

Drypoint, Etching

Joseph PennellFonte Nuova, Siena, 1883

$250

H 9.73 in W 9.85 in

Fonte Nuova, Siena

By Joseph Pennell

Located in Middletown, NY

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Category

Late 19th Century American Modern Eugène Burnand Art

Materials

Handmade Paper, Drypoint, Etching

Jean BérainUntitled /// French Ornaments Designs Architecture Jean Bérain Old Master Print, Circa: 1711

$450

H 18.5 in W 13.63 in

Untitled /// French Ornaments Designs Architecture Jean Bérain Old Master Print

By Jean Bérain

Located in Saint Augustine, FL

Artist: Jean Berain (the Elder) (French, 1640-1711) Title: "Untitled" (Plate 35) Portfolio: Ornemens Inventez par J. Berain (Ornament Designs Invented by J. Berain) Circa: 1711 (Firs...

Category

1710s Old Masters Eugène Burnand Art

Materials

Laid Paper, Engraving, Intaglio, Etching

Giovanni Battista PiranesiAncient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi, 1756

$3,875

H 24.38 in W 31.75 in D 0.75 in

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...

Category

Early 18th Century Old Masters Eugène Burnand Art

Materials

Etching, Engraving, Drypoint

Rembrandt van RijnSleeping Herdsman by Charles Amand-Durand, 1644

$450

H 4.89 in W 4.49 in

Sleeping Herdsman by Charles Amand-Durand

By Rembrandt van Rijn

Located in Middletown, NY

A an impression after Rembrandt's only state of this image. Paris: 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches (124 x 114 mm); sheet 12 5/8 x 1...

Category

Mid-17th Century Old Masters Eugène Burnand Art

Materials

Laid Paper, Etching, Engraving

Jacob de Gheyn IIWapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise, 1607

$400

H 10 in W 7.25 in

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

By Jacob de Gheyn II

Located in Middletown, NY

An image from a 17th-century military drill manual depicting techniques for handling muskets and pikes. De Ghen II, Jacques / Jacob Wapenhandelinghe van Roers, Musquetten ende Spies...

Category

Early 17th Century Old Masters Eugène Burnand Art

Materials

Laid Paper, Engraving

Previously Available Items

Eugène BurnandEugène Burnand (1850-1921) - Framed Pastel, Portrait of a Friar, Unknown

Sold

H 22.05 in W 17.33 in

Eugène Burnand (1850-1921) - Framed Pastel, Portrait of a Friar

By Eugène Burnand

Located in Corsham, GB

Eugène Burnand (Swiss 1850-1921), Pastel Portrait of a Friar. Signed. Well presented in a gilt-effect frame. On laid.

Category

Early 20th Century Eugène Burnand Art

Materials

Pastel

Eugène BurnandHerd of Horses - Etching by Eugène Burnand - Late 19th century, Late 19th century

Sold

H 7.49 in W 10.63 in D 0.08 in

Herd of Horses - Etching by Eugène Burnand - Late 19th century

By Eugène Burnand

Located in Roma, IT

Herd of Horses is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized t...

Category

Late 19th Century Old Masters Eugène Burnand Art

Materials

Engraving, Etching

Eugène Burnand art for sale on 1stDibs.

Find a wide variety of authentic Eugène Burnand art available for sale on 1stDibs. You can also browse by medium to find art by Eugène Burnand in engraving, etching and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the modern style. Not every interior allows for large Eugène Burnand art, so small editions measuring 8 inches across are available. Eugène Burnand art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $133 and tops out at $222, while the average work can sell for $133.