Eugène Burnand

The Descent of the Herds - Etching by Eugène Burnand - Late 19th century

Late 19th century

Untitled is a drypoint artist's proof realized by Ardengo Soffici (Rignano sull’Arno 1879 – Vittoria Apuana 1964). It is signed and dated on the lower right. This is one of the mos...

Dancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984) Good condition on a yellowed paper. Edition of 3/25. Hand-signed and numbered on the lower margin.

Woman is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for some small spots on the upper margin. This artwork is a precious drypoint on elegant Japan paper; it represents a female stilized figure with a long...

Silhoutte of young boy is an original artwork made by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for some stains on the...

Portrait is an etching and drypoint on paper realized by an anonymous artist in the Mid-20th Century. Good conditions. The profile is depicted through deft and fine delicate stroke...

Boat is a Contemporary artwork realized in the half of the 20th Century by Robert Naly (1900 - 1983). Mezzotint print. Hand-signed. Numbered, edition of 50 prints. Good conditio...

Richard Hamilton began studying James Joyce's novel Ulysses (1922) during his national service in 1947. Hamilton was inspired by the idea of illustrating Joyce’s complex, experimental novel in and began making sketches the following year, only to put the project to one side in 1950, with no publisher willing to front the exorbitant cost of resetting the novel for illustrations. It was not until 1981 that he made the decision to create one illustration for each of the novel’s eighteen chapters, and a nineteenth image – a portrait of one of the novel’s main protagonists, Leopold Bloom – destined as a frontispiece. He conceived these images as large intaglio...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "Spring Song" *Signed by Soper in pencil lower right Year: 1924 Medium: Original Etching on cream laid paper Limited edition: 178 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157 Sheet size: 8.13" x 10.13" Image size: 6.63" x 9.63" Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago! There's an initial 'S' in the plate...

Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...

Sander's figures are captivating. Here a women stands facing right, just touching, and holding still, a globe shape, on a flat surface. It was difficult getting the color to show p...

Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension. Perhaps reflecting the print here, (Lovers), he, in fact, w...