Everett Shinn, a future member of the Eight and remarkable, rather theatrical personality was born at Woodstown, New Jersey in 1873. Even more recent sources give 1876 as the year of Everett Shinn's birth (Zurier, Snyder, and Mecklenburg, 1995, p. 224) but the artist usually lied about his age to appear younger than he actually was. Edith DeShazo (1974, errata sheet) claimed that information from family members established the date of November 6, 1876 as Shinn's birthday. But if this is true, he would have enrolled at the Spring Garden Institute in Philadelphia to study industrial art at the age of twelve. Born to a Quaker named Isaiah Conklin Shinn and Josephine Ransley Shinn, Everett was their third child. He enjoyed a happy childhood as an undisciplined boy fond of sweets, acrobatics, and the circus (DeShazo, 1974, pp. 15-17). Shinn opted for the Pennsylvania Academy of the Fine Arts for instruction in the fall of 1893, and began as a staff artist for the Philadelphia Press. At that time William Glackens was working there as well, while John Sloan was at the Inquirer. A year later, Glackens was at the Press, and also, in 1894, George Luks joined the staff there. As DeShazo explained (1974, p. 29), "the Press art department became a meeting place for men both on the staff and off with similar artistic and literary interests." Members of the same group also met at Robert Henri's studio. By 1897, Shinn was in New York, working for the New York World where Luks had been for about a year. The rest of the "Philadelphia Four" (artist-reporters) would follow them before long. Shinn spent much of 1898 hounding the offices of Harper's until finally, the editor and publisher, Colonel George Harvey saw his portfolio, then commissioned a view of the Old Metropolitan Opera House in a snowstorm. The pastel appeared about a year later in the February 17th issue of Harper's Weekly, in 1900. Meanwhile, Shinn kept busy with decorative work (murals, screens, and door panels) at private residences and even in Trenton, New Jersey's City Hall. In 1899, the Boussod-Valadon Galleries gave Shinn his first one-man show. He continued to carry out commissions for illustrations (see Bullard, 1968). Shinn began exhibiting at the Pennsylvania Academy (1899-1908) and at the Art Institute of Chicago (1903-43).
Couple Sitting Among Lanterns, Cover for Vanity Fair
By Everett Shinn
Located in Fort Washington, PA
Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...
Crayon, Pastel, Gouache, Board
$3,360Sale Price|20% Off
“Headed to Market, 1916”
By Everett Shinn
Located in Southampton, NY
Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...
Charcoal, Pastel, Gouache
Figure in a Wide-brimmed Red Hat
By René Gruau
Located in Miami, FL
Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...
Pastel, Mixed Media, Gouache, Board
$1,748
H 18.51 in W 13.39 in D 0.89 in
Framed Art Nouveau Period Painting A Greek Love Affair Theseus And Ariadne
By Antoine Calbet
Located in Sutton Poyntz, Dorset
Follower of Antoine Calbet. French ( b.1860 - d.1944 ). Theseus and Ariadne, Circa 1890 - 1910. Mixed Media. Watercolour, Gouache & Pastel Image size 16.5 inches x 11.2 inches ( ...
Paper, Pastel, Watercolor, Gouache
$485Sale Price|60% Off
H 18.51 in W 24.61 in
Sailors in Nice: Mixed Media Gouache and Pastel on Paper, 1950s
By Alfred Salvignol
Located in London, GB
'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the entire French Riviera, standing out as one of the main harbours for the boats which sail across the Mediterranean Sea. It accommodates both the ships operated by ferry companies and the private yachts of visitors who come to Nice by sea. The artist here depicts a group of crusty sailors watching...
Paper, Pastel, Oil, Gouache
$1,250
H 24 in W 20 in D 1 in
Untitled - 21st Century, Contemporary, Figurative Portrait, Africa, Women Hair
By Oluwatimileyin Tega Adegbenjo
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Olu...
Canvas, Charcoal, Acrylic, Pastel
$1,200
H 24 in W 20.5 in D 2.5 in
Middle Eastern Men Oil Painting Austrian Israeli Modernist Tel Aviv Museum
By Arieh Allweil
Located in Surfside, FL
ARIEH ALLWEIL [ARIE ALWEIL] 1901-1967 Galicia 1901-1967 Safed, Israel (Ukrainian/Polish/Israeli) Pastel or Gouache on paper Hand signed lower right Dimensions: framed 20.5 X 23.5. im...
Gouache, Board, Oil Pastel
Pelé Brazilian, footballer, Soccer Star, Illustration
By Bob Peak
Located in Miami, FL
Bob Peak is one of the true giants of post-war American Illustration. He is a virtuoso artist, with a heightened level of skill and talent that very few living artists today possess...
Pastel, Gouache
$2,100
H 24 in W 18 in D 1 in
Rhythm of Hope -21st Century, Contemporary, Neo-Expressionism, Mixed Media Music
By Fredrick Idele
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...
Charcoal, Pastel, Acrylic, Cardboard
$1,500
H 23 in W 18 in D 1 in
In the Village, Gouache on Paper, Pink & Red color by Gobardhan Ash "In Stock"
By Gobardhan Ash
Located in Kolkata, West Bengal
Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...
Paper, Pastel, Gouache
$1,147
H 15.36 in W 20.28 in D 0.79 in
Post Impressionist Garden View, Lady Picking Flowers, Circle of Edouard Vuillard
By Edouard Vuillard
Located in Cotignac, FR
1920s Garden view, mixed medium on paper, influenced by the garden paintings of Vuillard from the same period. The work is indistinctly signed, as yet undeciphered, bottom right. Pre...
Oil Crayon, Pastel, Gouache
$475
H 17.5 in W 14 in D 0.03 in
Portrait of Andy Warhol with Purple Hair in Pastel and Gouache on Paper
By Ricardo de Silva
Located in Soquel, CA
Portrait of Andy Warhol with Purple Hair in Pastel and Gouache on Paper Whimsical portrait by Ricardo de Silva (Brazilian, 20th Century). Andy Warhol is l...
Paper, Pastel, Gouache, Permanent Marker
$4,565
H 59.06 in W 39.38 in D 1.58 in
Mixed Media on Woven Fabriano Painting "The Soil"
By Anushka Kempken
Located in Cape Town, ZA
This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...
Gold Leaf
$8,000
H 18 in W 13.6 in D 1 in
Blond Pin up with Perfect Smile Tennis Racket - Women Illustrators
Located in Miami, FL
Julia (Elsie Julia Miller) Schleicher (Canadian/American, 1916-1988) she was an important female illustrator Woman Tennis Player Pastel and gouache on boa...
Pastel, Gouache