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Everett Shinn Mixed Media

American, 1876-1953

Everett Shinn, a future member of the Eight and remarkable, rather theatrical personality was born at Woodstown, New Jersey in 1873. Even more recent sources give 1876 as the year of Everett Shinn's birth (Zurier, Snyder, and Mecklenburg, 1995, p. 224) but the artist usually lied about his age to appear younger than he actually was. Edith DeShazo (1974, errata sheet) claimed that information from family members established the date of November 6, 1876 as Shinn's birthday. But if this is true, he would have enrolled at the Spring Garden Institute in Philadelphia to study industrial art at the age of twelve. Born to a Quaker named Isaiah Conklin Shinn and Josephine Ransley Shinn, Everett was their third child. He enjoyed a happy childhood as an undisciplined boy fond of sweets, acrobatics, and the circus (DeShazo, 1974, pp. 15-17). Shinn opted for the Pennsylvania Academy of the Fine Arts for instruction in the fall of 1893, and began as a staff artist for the Philadelphia Press. At that time William Glackens was working there as well, while John Sloan was at the Inquirer. A year later, Glackens was at the Press, and also, in 1894, George Luks joined the staff there. As DeShazo explained (1974, p. 29), "the Press art department became a meeting place for men both on the staff and off with similar artistic and literary interests." Members of the same group also met at Robert Henri's studio. By 1897, Shinn was in New York, working for the New York World where Luks had been for about a year. The rest of the "Philadelphia Four" (artist-reporters) would follow them before long. Shinn spent much of 1898 hounding the offices of Harper's until finally, the editor and publisher, Colonel George Harvey saw his portfolio, then commissioned a view of the Old Metropolitan Opera House in a snowstorm. The pastel appeared about a year later in the February 17th issue of Harper's Weekly, in 1900. Meanwhile, Shinn kept busy with decorative work (murals, screens, and door panels) at private residences and even in Trenton, New Jersey's City Hall. In 1899, the Boussod-Valadon Galleries gave Shinn his first one-man show. He continued to carry out commissions for illustrations (see Bullard, 1968). Shinn began exhibiting at the Pennsylvania Academy (1899-1908) and at the Art Institute of Chicago (1903-43).

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Artist: Everett Shinn
Couple Sitting Among Lanterns, Cover for Vanity Fair
Couple Sitting Among Lanterns, Cover for Vanity Fair

Couple Sitting Among Lanterns, Cover for Vanity Fair

By Everett Shinn

Located in Fort Washington, PA

Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...

Category

1910s Everett Shinn Mixed Media

Materials

Crayon, Pastel, Gouache, Board

“Headed to Market, 1916”
“Headed to Market, 1916”

“Headed to Market, 1916”

By Everett Shinn

Located in Southampton, NY

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

Category

1910s Ashcan School Everett Shinn Mixed Media

Materials

Charcoal, Pastel, Gouache

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Everett Shinn mixed media for sale on 1stDibs.

Find a wide variety of authentic Everett Shinn mixed media available for sale on 1stDibs. If you’re browsing the collection of mixed media to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple and other colors. You can also browse by medium to find art by Everett Shinn in crayon, gouache, paint and more. Not every interior allows for large Everett Shinn mixed media, so small editions measuring 8 inches across are available. Everett Shinn mixed media prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,200 and tops out at $169,000, while the average work can sell for $86,600.
Questions About Everett Shinn Mixed Media
  • 1stDibs ExpertJanuary 27, 2025
    Everett Shinn is famous for his paintings and because he was an important member of the Eight, a group of artists who produced Urban Realist works during the early 20th century. Some of his most notable works include The White Ballet, Spanish Music Hall, Keith's Union Square and Revue. Explore a range of Everett Shinn art on 1stDibs.