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Ezra Stoller Photography

American, 1915-2004

Ezra Stoller had such a profound impact on the field of modern architectural photography that his name became a verb. Famous architects like Frank Lloyd Wright, Eero Saarinen and Marcel Breuer saw their buildings “Stollerized” — a word coined by none other than Philip Johnson, denoting expertly reimagined for the flat space of the photograph and made accessible to readers of books and magazines who could not visit them in person.

Stoller’s mostly black-and-white photographs play up the most exciting features of 20th-century landmarks: the swooping curves of Saarinen’s TWA Terminal (1962), the radical transparency of Johnson’s Glass House (1949), the monolithic gravitas of the United Nations Building (1950). As the photographer once said, “While I cannot make a bad building good, I can draw out the strengths in a work that has strength.”

Although he didn’t have an architecture degree, Stoller, who died in 2004 at age 89, very nearly joined the profession. He was enrolled in architecture school at New York University when he began taking photographs in the late 1930s. This side project soon became a full-time career, as his classmates and professors (including Edward Durell Stone) started giving him assignments.

By 1946, he was traveling around the country documenting major projects for Fortune magazine, including Wright’s Taliesin West, in Scottsdale, Arizona. This was the beginning of a long association with Wright, who later commissioned Stoller to shoot the Guggenheim Museum and the house perched above a waterfall known as Fallingwater.

Stoller had an equally symbiotic relationship with Saarinen, capturing many of the low-slung, boxy structures the Finnish architect designed for Midwestern corporate campuses, as well as his more fanciful TWA Terminal at Idlewild Airport (now John F. Kennedy International Airport), in New York.

For someone so strongly aligned with modern architecture, Stoller acknowledged some surprising historical influences. One was the visionary 18th-century printmaker Giovanni Battista Piranesi, who, like Stoller, trained in architecture. Another was the late-19th-century photographer Eugene Atget, who documented the streets and storefronts of Paris during a major upheaval in urban planning.

“For getting a sense of space, there’s nobody like Atget,” Stoller once told an interviewer.

In addition to Stoller’s artistry, architects appreciated his meticulous multistage process. Typically, he would start with a daylong walk-through of a project, after which he formulated a detailed shooting plan — annotating images of the building with arrows and times of day and paying close attention to the weather and changing light.

Once onsite with his equipment, Stoller would rearrange the furniture to achieve the perfect shot and obsess, as he later recalled, over such questions as “at exactly what angle should the window be open.”

Find original Ezra Stoller photography on 1stDibs.

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Artist: Ezra Stoller
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Ezra Stoller photography for sale on 1stDibs.

Find a wide variety of authentic Ezra Stoller photography available for sale on 1stDibs. If you’re browsing the collection of photography to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Ezra Stoller in c print, paper, photographic paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Ezra Stoller photography, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Don Donaghy, Garry Winogrand, and Wolfgang Suschitzky. Ezra Stoller photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $5,000 and tops out at $8,500, while the average work can sell for $5,000.