Ezra Stoller Photography

'Pebble Beach' Riders from the Pebble Beach Equestrian Center wend their way through the Californian sand dunes and pampas grass, November 1976. Gorgeous print measuring an extra ...

This silver gelatin contact print is signed and dated in pencil on the front of the mount with the title, date and numbering in pencil on the back of the mount. Print #30.

Sophia Loren Pouring Champagne in Glasses by Globe Photos A classic 1962 image featuring legendary Italian film actress Sophia Loren pouring champagne into fancy glasses on New Yea...

'Tennis In The Bahamas' Two fashionably dressed women in tennis outfits, stand talking to a man on the edge of a tennis court in the Bahamas, with tennis rackets leaning up against...

Italian GP Richie Ginther waits beside his Honda RA273 as mechanics work on the engine. Image details Championship: Formula 1 1966 (Formula 1, 1966) Event: Italian GP Date taken: Sunday, September 04, 1966 Location: Autodromo Nazionale Monza, Italy Photographer: Rainer Schlegelmilch Rainer W. Schlegelmilch the German born widely regarded "Master of Motorsports Photography" delighted in this series of works Glamour, kitsch, sex and fast cars - this extraordinary body of work encapsulates the excitement of this era. Limited edition to 150 only - Archive stamped and numbered - with certificate of authenticity Oversize 24 x 24" inches / 61 x 61 cm paper size C type print unframed. Beautiful. About Richie Ginther & Honda BRM and Honda In 1962, Ginther switched to the British-based BRM team to race alongside Graham Hill. The highlight of his time at BRM was finishing equal-second (with Hill) in the 1963 World Championship. Ginther scored more points than his British teammate over the whole season, but only a driver's six best scores were counted towards the championship. His reputation as a solid "team player" and excellent test and development driver earned him an invitation to join the works Honda F1 team for 1965, for whom he scored his one and only GP win, at the 1965 Mexican Grand Prix. The win was also Honda's first in Formula 1. Ginther averaged 151.7 kilometres per hour (94.3 mph) over the curving 5 kilometres (3.1 mi) track in the 65 lap Mexico City event. His speed eclipsed the previous course record of 150.185 km/h (93.321 mph) established by Dan Gurney in 1964. It was the first time Honda had entered the Mexican Grand Prix.[22] Honda reentered international competition in the 1966 Italian Grand Prix. The team was three years old and had encountered difficulty in the preparation of a larger engine. Ginther led in Italy before his car crashed into a retaining wall and he broke his collarbone.[23] He signed with the Eagle F1 team in 1967 and raced in the Race of Champions. At Monaco after practice, his place on the grid was given to an F2 car weighted to bring it up to minimum F1 specifications, and Ginther left F1 in disgust. Ginther won one race, achieved 14 podiums, and scored a total of 107 championship points. He appeared in an uncredited role in the 1966 film Grand Prix as John Hogarth, a driver in the Japanese funded "Yamura" team. He also acted as one of the technical racing advisors for the movie. While making an attempt to qualify for the 1967 Indy 500, Ginther broke a fuel line in his American Eagle Indy Car...

'Awakening' Archival photographic triptych. Limited Edition of 25. Unframed. _________________ Morning light illuminates the layered landscape of Yosemite National Park, Half Dome gently awakens. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in chaos and harmony; in the enduring and the effervescent. They are a contemplation of the ephemeral nature of all things. Each of three separate parts measuring 15 x 10 inches (Total of 3 parts 15 x 30 inches) Limited edition of 25 Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality archival art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Each printing is bespoke to order and can be printed on a single paper 15 x 30 inches. Please contact me for further information, or send a message with your order. Other sizes available * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. Framing options are available, please contact. ________________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago...

This silver gelatin print is signed in ink on the front of the mount beneath the image with title in pencil on the back of the mount. Likely printed in the early 1960s. From the co...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Orchids by Ian Sanderson Signed limited edition archival pigment print, 1991 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file whi...

Willy Ronis is one of the most famous members of the French Humanist photography. Silver print on photographic paper Hand-signed by the artist lower right Stamp of the artist's stud...

This is a vintage Ted Spiegel photo of a Benedictine Nun, Mount of Olives, Jerusalem. Hand signed and editioned A/P. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The red title sheet is just here for provenance and reference and is not included in this sale. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. An accomplished photojournalist with more than 50 years of experience, Ted Spiegel has covered assignments across the globe, but like the 19th-century artists of the famed Hudson River School, he's made the Hudson River Valley the focus of much of his life's work. Spiegel's love of the landscape and positive attitude infuse all his images. His January 1978 assignment for National Geographic magazine was a color photo essay on the Hudson River Valley. He has produced 15 other photo essays for National Geographic magazine on a variety of subjects, and has also produced several picture books on such topics as the Hudson River Valley, Saratoga and West Point. He also did a celebrated series of photos of John F Kennedy one of which was selected for the JFK USA postal stamp. Speigel’s biography on the National Geographic website espouses his zest for his home: “He’s covered assignments across the globe, but like the 19th-century artists of the famed Hudson River School, he’s made the Hudson River Valley the focus of much of his life’s work.” It also notes that he uses photography as a medium to encourage appreciation and respect for the environment’s beauty: “Spiegel’s love of the landscape and positive attitude infuse all his images, [and he] sees his landscape photography as a way to make people aware of the beauty in nature and a way to, in turn, encourage people to help protect and save the environment.” Photographers, like seeds in a rich environment, take root, grow and prosper. For Ansel Adams, the place was the West Coast -- Carmel, Calif., and Yosemite National Park. For Ted Spiegel, it is the Hudson River Valley -- Bear Mountain...

Willy Ronis is one of the most famous members of the French Humanist photography. Silver print on photographic paper Hand-signed by the artist lower right Stamp of the artist's stud...