Franklin Jonas Paintings

David Collins earned a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions in New York, and has exhi...

This painting by Linda King Ferguson is painted on linen with a gradient tint, transitioning from red to yellow as our eyes descend the canvas. A hard-edged red section curves diagon...

Erin O'Brien The Constant, 2025 acrylic on linen 30 x 26 in. (obri041) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, yello...

Signed "Twitty" at lower right

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speak...

This painting by Linda King Ferguson depicts a red diamond canvas with a Vesica Piscis shape in the center. The color of the Vesica Piscis is a gradient, transitioning from a maroon ...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

Erin O'Brien I Remember You, 2025 acrylic on linen 12 x 11 in. (obri038) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, yel...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...