George Armfield Art

Orientalist painter (19th century) - Odalisque with Parrot. 54 x 41 cm (without frame) - 72 x 59 cm (with frame). Oil on canvas, in an antique carved and gilded wooden frame, 19th ...

Author: Rodolfo Ramírez Cardo (Havana, Cuba) Title: Version of “Tigress” by Karl Bang Year: 2000 Technique: Acrylic and oil on canvas Dimensions: 64 x 85 cm (25.2 x 33.5 in) (unframe...

Highland Companions by A. J. Blackie (British, 20th century) signed oil on canvas, framed framed: 23 x 30.5 inches canvas: 20 x 28 inches Provenance: private collection, England Con...

This charming English Victorian painting by Arthur Jackson beautifully captures a rustic scene of chickens in a barn. The artist's meticulou...

A stunning, showpiece example of William Henry Mander's painted in Rhys, North Wales. The size is unusual and perfect for a mantlepiece as a statement piece. Picture Size: 22 x 36" ...

The Mountain Pass Italian School, 19th century signed initials oil on canvas, framed framed: 13 x 11 inches canvas: 10 x 7.5 inches provenance: private collection, France condition: ...

Feeding the Lamb by William Underhill ( 1808-1908) British signed and dated 1847 Inscribed on a label verso ' Granny ( Clementine Cooper) feeding th...

‘A Welsh Hillside Path’ by Benjamin Williams Leader (1831-1923). The painting is signed and dated by the artist and was exhibited at the Royal Academy in 1874. We only offer origin...

Scottish Highland landscape scene with English Setter gun dogs, the day's bag, and Red Grouse, after a day shooting. M. Fawcett was a pseudo name for Robe...

Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...