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George Biddle Prints and Multiples

American, 1885-1973

Born to a prominent family in Philadelphia on January 24, 1885, George Biddle put his interest in art aside to accommodate his family's wishes and study law. He graduated from Harvard University in 1908 and Harvard Law in 1911, becoming a member of the Philadelphia bar. However, by the end of that same year, Biddle abandoned law and began studying art at the Académie Julian in Paris. Biddle continued his studies at the Pennsylvania Academy of Fine Arts during 1912 and 1913. He returned to Europe in 1914, studying in Munich and then in Madrid, where he studied printmaking. Biddle also spent the summers of 1915 and 1916 painting Impressionist works in France before he enlisted in the army in 1917. Following World War I, Biddle experimented in sculpture and graphics in Tahiti for two years and then in France between 1924–26. In 1927, Biddle returned to the United States settling in Croton-on-Hudson, New York. The following year, he traveled through Mexico on a sketching trip with Mexican muralist, Diego Rivera. During the Great Depression, Biddle actively sought government funding for the arts. His correspondence with President Franklin D. Roosevelt, who was a former classmate at Groton Preparatory School and Harvard, resulted in the establishment of the Federal Arts Project of the Works Progress Administration. The Depression fueled Biddle's desire to create socially conscious art. He established himself as a Social Realist through powerful murals depicting poverty. The Tenement, which he created in 1935 for the Department of Justice Building in Washington, D.C., was his first federally commissioned mural. The project led to controversy as people deemed his depiction of poverty to be inartistic. In addition to his artwork, Biddle authored several art books including An Artist at War and An American Artist's Story and he contributed regularly to national art magazines. In 1937, Biddle wrote the introduction for Boardman Robinson: Ninety-Three Drawings which was published by the Colorado Springs Fine Arts Center, where he taught in 1936 and 1937. In addition to teaching in Colorado, Biddle later taught at the Otis College of Art and Design in Los Angeles, the American Academy in Rome and Saugatuck, Michigan. He served as a chairman of the U.S. War Artists Committee during World War II and in 1950, President Truman appointed him to the Fine Arts Commission for which he served a 14-year term. Biddle died on November 6, 1973, in Croton-on-Hudson.

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Artist: George Biddle
original lithograph

original lithograph

By George Biddle

Located in Henderson, NV

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...

Category

1950s George Biddle Prints and Multiples

Materials

Lithograph

Goat Herder's Wife

Goat Herder's Wife

By George Biddle

Located in New York, NY

George Biddle (1885-1973), Goat Herder’s Wife, 1928, lithograph, signed in pencil lower right and titled and numbered (64/100) in pencil lower left margin [with the inscription ”Bidd...

Category

1920s Realist George Biddle Prints and Multiples

Materials

Lithograph

Banana Grove

Banana Grove

By George Biddle

Located in New York, NY

George Biddle (1885-1973), Banana Grove, lithograph, 1928. Signed, titled and numbered in pencil [also annotated in the plate “Biddle/1928, lower right “47). References: Pennigar 81, Trotter 47. In excellent condition, the full sheet, on cream wove BFK RIVES paper, with their (partial) watermark. 12 1/2 x 9, the sheet 20 x 16, archival mounting (non attached mylar hinging between acid free board, glassine cover). A fine fresh rich impression in pristine condition. After Groton, Harvard College...

Category

1920s Realist George Biddle Prints and Multiples

Materials

Lithograph

Coffee Huskers

Coffee Huskers

By George Biddle

Located in New York, NY

George Biddle (1885-1973), Coffee Huskers, 1928, lithograph, signed, titled and numbered [also inscribed ’43/Biddle/1928 in the plate]. Reference: Pennigar 77, Trotter 43. From the edition of 100, on Rives cream wove paper, with the Rives watermark. In excellent condition, probably never framed or matted, the full sheet, 13 1/4 x 9 3/4, the sheet 16 x 11 1/2 inches, archival mounting (mylar non-attached hinging between acid free boards glassine cover). A fine black impression. Biddle wrote of this lithograph, in 1943: “After scraping the tusche away…I worked back with a pensil (sic) and again with diamond. This all adds to the richness of texture and color.” This work produces a very sophisticated lithographic look, akin in some ways to drypoint work in etching. After Groton, Harvard College and Harvard Law (and several breakdowns) Biddle concluded that a conventional career in law was not for him; he decided on art, went to Paris, worked with Mary Cassatt and familiarized himself with modernist currents in art (as well as more traditional European art). After serving in WWI, and the dissolution of his marriage, he became interested in working outside of the European tradition (although his travels continued to include Europe, and he spent a period working under the influence of Jules Pascin in Paris in the mid-‘20’s). Coffee Huskers, like many of the Mexican and Haitian prints...

Category

1920s American Realist George Biddle Prints and Multiples

Materials

Lithograph

Hombre! Que Sin Vergeunza!

Hombre! Que Sin Vergeunza!

By George Biddle

Located in New York, NY

George Biddle (1885-1973), Hombre! Que Sin Vergeunza!, 1928, lithograph, signed and dated in pencil lower right, titled and numbered lower left [also signed in plate lower left ”Biddle/1928/44]. References: Pennigar 78, Trotter 44. Edition 100. In excellent condition (never framed, without light or time staining), with wide margins, the full sheet, 9 3/4 x 13 3/4, the sheet 15 1/2 x 20 1/2 inches. Printed by George C. Miller. On cream wove paper with the FRANCE watermark. Archival mounting (mylar unattached mounting between acid-free board). A fine, fresh impression, in pristine condition. According to Pennigar the title translates roughly to “Buddy! Aren’t you ashamed of yourself!” The title refers to the composition: the well-groomed man with his foot up in the carriage passes a group of naked little boys...

Category

1920s American Realist George Biddle Prints and Multiples

Materials

Lithograph

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George Biddle prints and multiples for sale on 1stDibs.

Find a wide variety of authentic George Biddle prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by George Biddle in lithograph and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large George Biddle prints and multiples, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of John Edward Costigan, Jack Beal, and Peter Moran. George Biddle prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $575, while the average work can sell for $300.