George Frederick Nicholls Art

Delicate watercolour of a corner of the artist's garden that he often returns to in his painting. Matted ready for framing Image 12" x 18" Matted 18" x 24"

Charles E. Burchfield’s Spuyten Duyvel, New York, signed and dated June 16, 1907, is a delicate and atmospheric watercolor that captures the quiet, pastoral character of the landscap...

Hayley Lever Temple Emanuel (Fifth Avenue, New York), 1935 Signed and dated lower left Watercolor on paper Sight 13 3/4 x 21 1/4 inches Provenance Kennedy Galleries, Inc., New York ...

Jean Maxime CLAUDE Paris 1804 - Maisonf Lafitte 1904 Seascape in Moonlight Watercolor Signed lower right 24 x 38 cm sheet 36 x 51 cm frame Gilded wood frame, circa 1900...

James Abbott McNeill Whistler Beach Scene at Dieppe, 1885-86 Watercolor on paper, mounted on board 8 1/2 x 5 inches Signed on the reverse Provenance: Miss Annie Burr Jennings Mrs. ...

Watercolor painting of boats docked along a scenic Mediterranean coast lit by golden sunlight, circa 1960. Displayed on a white mat with a gold border and fits a standard-size fram...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

"Tropical Coast" is a vibrant watercolor that captures the intense, saturated light of a tropical shoreline. The painting contrasts the luminous turquoise and aqua hues of the shallo...

The Rose Dorothea, 1926 Watercolor on paper 13 1/4 x 20 3/8 inches (33.7 x 51.8 cm) Signed and dated lower left: John Whorf '26 Provenance Private collection, Cape Cod, Massachusett...

Warmly hued watercolor landscape of a old church perched atop a rural hillside by French artist R.D. Flament, 1940. Signed lower left and titled and dated lower right. Original art...

Delightful one-of-a-kind watercolor and gouache painting of boats docked along the glassy waters of Fareham creek located in England, circa 1910. Titled lower right. Original artwo...

Dazzling French watercolor of fall colored foliage lining a large path, circa 1920. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Archiv...