Georges Lemmen Art
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Artist: Georges Lemmen
Les Baigneuses - Neo-Impressionist Nudes in Landscape Oil by Georges Lemmen
By Georges Lemmen
Located in Marlow, Buckinghamshire
Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea.
Signature:
Signed lower left with the cachet of painter
Dimensions:
Framed: 23.5"x24.5"
Unframed: 14.5"x15.5"
Provenance:
Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work
Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique.
In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions.
Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation.
Museum and Gallery Holdings:
Bremen (Kunsthalle): Standing Nude Combing her Hair
Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...
Category
1910s Impressionist Georges Lemmen Art
Materials
Oil, Canvas
Reverie - Neo-Impressionist Nude Figurative Oil Painting by Georges Lemmen
By Georges Lemmen
Located in Marlow, Buckinghamshire
Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resting her head on her arm.
Signature:
Signed lower right and titled on original artist's label verso
Dimensions:
Framed: 16"x19"
Unframed: 10"x13"
Provenance:
Original artists label verso for Georges Lemmen at 96 Avenue Coghen , Brussels
Private collection - Brussels
Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique.
In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions.
Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation.
Museum and Gallery Holdings:
Bremen (Kunsthalle): Standing Nude Combing her Hair
Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...
Category
Early 1900s Impressionist Georges Lemmen Art
Materials
Oil, Board
Horses in Stable
By Georges Lemmen
Located in Fairlawn, OH
Horses in a Stable
Black chalk on tan wove paper, 1896
Signed with the estate stamp lower right corner
(see photo)
Note: The image has been sqaured off in red chalk grid lines for use in a large painting
Dated in charcoal lower right: "23 Nov '96"
Condition: Tack holes in the corners
small tears and creases along margins
Sheet size: 14 11/16 x 16 13/16 inches
Provenance: Dr. Ernst Hauswedell
Brenner Fine Arts, Inc., New York
Alan Stone Gallery, New York
"Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique.
In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced – recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group’s rebirth as the Libre Esthétique, Lemmen’s work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen’s travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new ‘free’ aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions.
Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l’Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen’s reputation.
Museum and Gallery Holdings
Bremen (Kunsthalle): Standing Nude Combing her Hair
Brussels (Mus. royaux des Beaux-Arts de Belgique): Children’s Room (watercolour); Reading; Couture; Young Girl by the Sea...
Category
1890s Impressionist Georges Lemmen Art
Materials
Chalk
Deux modèles nus
By Georges Lemmen
Located in New York, NY
Color pastels, color crayons and gouache on tan wove paper. Dated in pencil, lower right recto. With the artist's monogram ink stamp, twice lower right recto and authenticity confirm...
Category
Early 1900s Post-Impressionist Georges Lemmen Art
Materials
Crayon, Pastel, Gouache
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MA in Fine Art, State University of New York at Albany, New York
BFA, College of New Rochelle, New Rochelle, New York
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2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts
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Georges Lemmen art for sale on 1stDibs.
Find a wide variety of authentic Georges Lemmen art available for sale on 1stDibs. You can also browse by medium to find art by Georges Lemmen in chalk, crayon, gouache and more. Much of the original work by this artist or collective was created during the early 1900s and is mostly associated with the Post-Impressionist style. Not every interior allows for large Georges Lemmen art, so small editions measuring 13 inches across are available. Customers who are interested in this artist might also find the work of Henri Edmond Cross, Tony Minartz, and Paul Cézanne. Georges Lemmen art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,750 and tops out at $3,500, while the average work can sell for $3,125.