Guillaume De L'Isle Furniture

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Rare pair of original hand-colored prints from Sir Albertus Seba's cabinet of natural curiosities. Prints come from published volumes in Amste...

Presented is an original 1846 map of “North America.” The map was drawn and engraved by I. Dower and published in London by Orr & Company. The map depicts North America, to include G...

French Furniture of the 18th century by Pierre Verlet and Penelope Hunter-Stiebel (Translator). University Press of Virginia, Charlottesville, VA, 1991. First edition thus hardcover ...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Print depicting a schooner, no. 1 of 400 copies signed Z21, made in the mid-19th century. Non-coeval briarwood frame; measures with frame 50 x 40 cm.  

This is a vintage reproduction map of Europe. An American, paper stock cartography print in frame after the work by Blaeuw, dating to the late 20t...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

Antique portolano, nautical map of Golfe De St. Drely engraved on a copper plate by Antoine Roux, Marseille France 1844, from his work Recueil des principaux plans des ports et de Ra...

A collection of 11 framed and glazed engravings taken from the New Book Of Martyrs By Henry Southwell The 11 engravings show authentic and genuine historical account of the many dre...

Antique map of Maine Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

This is a first edition print of Rough Shooting, signed by the artist, Douglas Adams. The print was published by Thomas McLean and depicts a highlands s...