Hans Bol Prints and Multiples

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

An exceptional original etching with drypoint by renowned American printmaker Gene Kloss, titled Red Mountain Relic (View of Red Mountain, Colorado). This striking black-and-white co...

Paris: Chardon, 1861. Etching with engraving on Chine collé mounted to a wove paper matrix with a false platemark and a deckle edge, 4 1/2 x 6 1/2 inches (115 x 165 mm); matrix 12 1...

A bird's eye view of Devonshire Square, engraved by British master Sutton Nicholls. Published according to the act of Parliament in 1754 for Stow's Survey of London. This detailed en...

A finely detailed etching with hand colouring by William Tatton Winter (1855-1928) depicting the historic Westgate in Canterbury. Signed in graphite to the lower right. Well presente...

'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...

Solitude,' an etching by William Woollett (1735-1785) and William Ellis (1747-1810) after a painting by Richard Wilson (1714-1782). Wilson's original is now in the collection of the National Gallery of Art in Washington DC. Wilson was deeply inspired by the Arcadian landscapes he encountered whilst travelling in Italy. This influence is evident in this work, where two monks rest beside a shady pool. Their church appears almost to glow between the dark tree trunks in the distance, whilst a broken statue...

"The Main Bridge" is an etching by William Goodrich Beal, signed in the lower right. The etching shows a quaint scene of a small town. The foreground showed a muddy hill with some gr...

Le Chene des Roches (Oak tree growing among Rocks) Etching, 1861 Signed in the plate lower right (see photo) Printed by Delatre, Paris, on chine applique Final state iii/III, as pub...

Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...

Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...