Daniel Garber Prints and Multiples
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Artist: Daniel Garber
"Spring Valley Willows"
By Daniel Garber
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958).
One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901.
In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon.
Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years.
Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate.
Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...
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1940s American Impressionist Daniel Garber Prints and Multiples
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Etching
"Birmingham Meeting House"
By Daniel Garber
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958).
One of the two most important and, so far, the most valuable of the New Hope Sc...
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1930s American Impressionist Daniel Garber Prints and Multiples
Materials
Etching
"Old Barney"
By Daniel Garber
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958).
One of the two most important and, so far, the most valuable of the New Hope Sc...
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Mid-20th Century American Impressionist Daniel Garber Prints and Multiples
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Etching
"Improvidence"
By Daniel Garber
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958).
One of the two most important and, so far, the most valuable of the New Hope Sc...
Category
1920s American Impressionist Daniel Garber Prints and Multiples
Materials
Etching
Harmonville
By Daniel Garber
Located in Missouri, MO
DANIEL GARBER
"Harmonville, Pennsylvania" c. 1925
Etching printed in black ink on wove paper.
7 7/8 x 11 3/4 inches, full margins.
Signed, titled and inscribed "DG imp" in pencil, ...
Category
1920s American Impressionist Daniel Garber Prints and Multiples
Materials
Etching
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B.J.O. Nordfeldt, 'St. Paul's Church' (St. Pauls' Chapel), etching, edition not stated, c. 1915. Signed in pencil. A superb, richly-inked impression, with skillfully controlled plate tone, printed on off-white, antique, laid paper; the full sheet with margins (5/8 to 2 1/4 inches), in very good condition. Scarce. Matted to museum standards, unframed.
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A solo exhibition of Nordfeldt’s etchings and woodcuts was presented by the Smithsonian Institution in 1926. In 1920, Nordfeldt had a one-man show at the Chicago Arts Club. In 1926, he won the bronze medal at the sesquicentennial exposition in Philadelphia and the Logan Medal at the Art Institute of Chicago. In 1927, he won the first annual prize from the Brooklyn Society of Etchers, and the following year he won first prize from the Chicago Society of Etchers. In 1929, Nordfeldt had a one-man show at the Denver Art Museum. Nordfeldt's work is held in numerous museum collections including Amon Carter Museum of Western Art, Ft. Worth; Anschutz Collection, Denver; Art Institute of Chicago; Biblioteque d’Art et d’Archeologie, Paris; British Museum, London; Corcoran Gallery of Art, Washington, DC; Los Angeles County Museum; Metropolitan Museum of Art, New York City; Museum of Fine Arts, Santa Fe; National Museum of American Art, Smithsonian Institution, Washington, DC; National Gallery, Sydney, Australia; Phillips Collection, Washington, DC.
ABOUT ST. PAUL'S CHAPEL
St. Paul's Chapel, nicknamed "The Little Chapel That Stood", is an Episcopal chapel located at 209 Broadway, between Fulton Street and Vesey Street, in Lower Manhattan, New York City. Built in 1766, it is the oldest surviving church building in Manhattan, and one of the nation's finest examples of Late Georgian church architecture. It is a New York City Landmark and a National Historic Landmark.
The Hearts of Oak, a militia unit organized early in the American Revolutionary War, and composed in part of King's College (later, Columbia University) students, would drill in the Chapel's yard before classes nearby. Alexander Hamilton was an officer of this unit. The chapel survived the Great New York City Fire of 1776 when a quarter of New York City (then confined to the lower tip of Manhattan), including Trinity Church, burned following the British capture of the city after the Battle of Long Island during the American Revolutionary War. George Washington, along with members of the United States Congress, worshipped at St. Paul's Chapel on his Inauguration Day, April 30, 1789. Washington also attended services at St. Paul's during the two years New York City was the country's capital. Above Washington's pew is an 18th-century oil painting of the Great Seal of the United States, adopted in 1782.
The rear of St. Paul's Chapel faces Church Street, opposite the east side of the World Trade Center site. After the attacks on September 11, 2001, which led to the collapse of the twin towers of the World Trade Center, St. Paul's Chapel served as a place of rest and refuge for recovery workers at the WTC site. For eight months, hundreds of volunteers worked 12-hour shifts around the clock, serving meals, making beds, counseling and praying with firefighters, construction workers, police, and others. Massage therapists, chiropractors, podiatrists, and musicians also tended to their needs.
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UP TO THE WOOLWORTH
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Broad Street (Wall Street)
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'Ship Rock, New Mexico' —
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Located in Myrtle Beach, SC
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Provenance: Ex. collection Kennedy Galleries, in their original gallery mat with label attached.
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Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking.
In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye."
Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies.
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Five Pigeons (Jardin du Luxembourg, Paris)
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Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Five Pigeons (Jardin du Luxembourg, Paris)
Year: 1981
Medium: Original color etching with aquatint
Edition: Numbered 75/200 in pencil
Paper: Arches
Image (plate mark) size: 11.75 x 8.25 inches
Framed size: 24.5 x 17.65 inches
Signature: Hand signed and titled in pencil by the artist
Condition: It is in very good condition, the matting have some marks, see picture #1
Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet.
About the artist.
Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris.
OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING)
Galerie Huit - Paris (1951)
The Art Institute of Chicago - (1960)
The Escuela Nacional de Artes Plasticas - Mexico City (1961)
The San Francisco Museum of Art - (1961)
The Santa Barbara Museum of Art - (1961)
Oklahoma Art Center - (1966, 1976)
The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976)
Milwaukee Art Center - (1969)
The Print Cabinet...
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Late 20th Century American Impressionist Daniel Garber Prints and Multiples
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Located in Soquel, CA
Figurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...
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1940s American Impressionist Daniel Garber Prints and Multiples
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H 14.38 in W 17.38 in D 0.25 in
Laguna Veneta.
By Otto Henry Bacher
Located in Storrs, CT
Laguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper.
Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire.
Housed in a 16 x 20-inch archival mat, suitable for framing.
The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving.
Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...
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19th Century American Impressionist Daniel Garber Prints and Multiples
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Daniel Garber prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Daniel Garber prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Daniel Garber in etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Impressionist style. Not every interior allows for large Daniel Garber prints and multiples, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Walter Tittle, Louis Oscar Griffith, and Tony Bennett. Daniel Garber prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,575 and tops out at $5,350, while the average work can sell for $4,950.