Harold Haydon Prints and Multiples

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...

Original CAZALIS & PRATS since 1875. Artist: Emm. Gaillard. Size: 13" x 19.5". Professionally acid-free archival linen backed and ready to frame. Note that a small ink printing line ...

Artist: Tom Wesselmann Title: American Nude Portfolio: 1¢ Life Medium: Lithograph in colors Date: 1964 Edition: 2000 Frame Size: 20 3/4" x 28 1/2" Sheet Size: 16 1/4" x 22 3/4" Image...

JOHN LENNON & YOKO ONO (1940-1980) 1970 “EroticNumber #5” Pencil Signed John Lennon Lower right Numbered H.C. XXXV1/VL 23 x 30 inches Image size 33x40 inches with frame Original COA ...

London: J. M. Dent & Sons, 1938. Each a woodblock print on white wove paper, 8 11/16 x 5 1/2 inches (219 x 139 mm), the full sheet. Each image in excellent condition, printed on one...

Lynd Ward, 'Madman's Drum, Plate 41', wood engraving, 1930, edition small. Signed in pencil. A fine, richly-inked impression, on off-white tissue-thin Japan paper; the full sheet with margins (1 5/8 to 2 1/2 inches); a small paper blemish in the upper right margin, away from the image, otherwise in excellent condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Image size 5 1/2 x 3 3/4 inches (140 x 95 mm); sheet size 9 5/8 x 7 1/8 inches (244 x 181 mm). From Lynd Ward’s book of illustrations without words, 'Madman’s Drum', Jonathan Cape and Harrison Smith, New York, 1930. Reproduced in 'Storyteller Without Words, the Wood Engravings of Lynd Ward', Harry N. Abrams, New York, 1974. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage...

An original linocut print by American artist Irene Zevon. The reclining nude is one of Zevon's most coveted subject matters. This 1959 print is one of a series of ten prints.

New York: Sidney Lucas & The Paris Etching Society, c1970. Lithograph with colors on smooth cream wove paper, 20 x 25 3/4 inches (508 x 654 mm), full margins. Signed and inscribed i...

Weyman Michael Lew is a painter and printmaker, born in San Francisco, California in 1935. Without over-mat, silver tone aluminum frame and plexi-glass. Imaqe, 22"H x 27"L. He studied at the University of California, and the San Francisco Art Institute from 1965 to 1966 with Artist Mary Joan Jay DeFeo. His works are in the collection of De Young Memorial Museum; the Institution of Arte Contemporary in Lima, Peru; the Western American Artists...

A colorful, myth-based female nude along with a portriat of a mermaid by the same artist. Lithograph in color on white wove paper, 18 1/4 x 11 3/4 inches (462 x 297 mm), full margin...

Wonderful figurative lithograph of a group of four nude figures in sable brown and gray palette by Hans Erni (Swiss, 1909-2015) circa 1970s. Signed in pencil by artist lower right co...