Harold Lukens Doolittle Art

Etching and aquatint of Wall Street, New York circa 1928 by Max Pollak. Painter and printmaker Max Pollak, (1886-1970), was born in Prague, Czechoslovakia and was raised in Vienna, A...

Huc Mazelet Luquiens: 1881-1961. Well listed American print maker who spent most of his life in Hawaii. His fabulous etchings were of all different parts of Hawaii. He has had aucti...

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: La Vilaine Year: Circa 1965 Medium: Color etching with aquatint Edition: Numbered 30/350 in p...

New York Waterfront and Skyline (also recorded as N.Y. Waterfront & Skyline and View of the New York Waterfront) Etching, 1930-1935 Unsigned Provenance: Estate of the Artist ...

Gene Kloss: 1903-1996. Well listed and very important female American artist. She has Auction results up to $34,000 for an etching. She was born in Oakland California and died in Taos New Mexico, where she did a lot of her work. This fabulous etching is titled hunters in the snow...

Etching, 1937. Signed by the artist and dated in pencil lower right margin. A scarce etching by this important American western artist.

Machinists with Truck Engines (Autocar Truck Assembly Line) Etching with Drypoint, c. 1929 Unsigned Provenance: Estate of the Artist New York Financial Institu...

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...

Fine Art Aquatint Etching of Gordes, in Provence, France - "Legendary Provence" by Ronald Stephen Riddick Beautiful aquatint etching of a sunset over iconic Provence French town, Go...

A print from his series titled "Submerged". The Three Graces is a richly colored etching with aquatint by Art Werger, depicting three female figures moving beneath the surface of wat...