Harold von Schmidt Art

Original collotype lithograph of a figure drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is pr...

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

"The Void" Figurative Abstract Composition in Gouache, Acrylic, and Pencil Intricate figurative composition by Robert Moesle (American, b. 1932). A large black space takes the centr...

A very attractive mid-19th century oil on canvas Romantic Realist landscape portrait of a beautiful young woman, signed and dated 1860, Haynes King (Barbados 1831-London-1904). Hayn...

American School, Portrait of a Blonde Woman Smelling Pink Flowers Amongst a Landscape, Oil on Canvas, unsigned, giltwood frame. Image: 8.5" H x 6.5" W; frame: 13.25" H x 11" W x 2.2...

signed lower right oil on canvas unframed 37 × 50 cm (14.6 × 19.7 in) framed 51.5 × 63 cm (20.3 × 24.8 in) This painting depicts Kastellholmen as seen from Skeppsholmen, rendered un...

A dramatic and beautifully executed waterfall landscape dated 1880, depicting a powerful cascade descending through a rocky mountain gorge surrounded by mature woodland and mist-fill...

This exquisite painting by the artist Otto Lindberg (1880-1955) is a mesmerizing depiction of a spring sunset. Crafted in 1952, this piece stands as one of Lindberg's final paintings...

Exuberant gouache portrait of a smiling auburn haired female by French erotic artist Carlo Charléno, circa 1930. Signed lower right. Original vintage ...

After Marc Chagall (1887–1985), “Place de la Concorde” 1952. Not examined out of frame. Under glass. Color lithograph on wove paper. Unsigned. Unknown edition. Condition is very g...

Alexis de Leeuw was born in the Belgian town of Bruges in 1848, he painted accomplished winter scenes capturing light with great accuracy. Alexis de Leeuw died at the young age of th...

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

Artist: Alex Katz (American, b. 1927) Title: Bicycle Rider Medium: Seventeen-color Lithograph on Arches Cover Paper Year: 1982 Sheet Size: 22 x 30 inches (55.9 x 76.2 cm) Edition: 4/...

For those who appreciate good academic painting and drawing, study Pearl Frush. She gets it right. In the present work, Frush paints a perfect face. Not just anatomically, but also i...

When a husband catches his wife with another man, it's no joke, except if it's a Gilbert Bundy mid-century cartoon for Esquire Magazine. Caption: "You'd better introduce us – I disl...