Henri d'Anty Paintings

Hollywood, 1941, oil on board, 18 x 24 inches, signed and dated lower right, illegible writing verso About the Painting From a distance, Beckwith deftly captures the spectacle of a Hollywood premiere. But we have not been invited to the party. Our view is from the shadows of a less glamorous neighborhood with a shaggy, unkept palm tree and rundown buildings in the shadows. We look down through the darkness past a packed parking lot to the bright lights of two iconic Hollywood landmarks, the Pantages Theater and the Broadway Building. Completed in 1930, the Pantages was built as an exuberant Art Deco movie palace, while the Broadway Building housed an upscale department store which catered to entertainment industry elites who were less impacted by the Great Depression than the common man, since movies had become the mainstay of popular culture entertainment during the 1930s with large numbers of Americans looking to immerse themselves in Hollywood escapism. Here, in a rare Los Angeles urban image, Beckwith combines that Hollywood fantasy with the more sobering foreground images which could have been pulled from the L.A. Noire fiction of Raymond Chandler...

Glücksburg Castle near Flensburg is an original modern artwork realized in the first half of 20th Century Oil on hardboard. Hand signed "H. Th. Nöbbe" on the lower margin. Include...

Signed, titled and dated figures in landscape oil on canvas by Spanish post impressionist painter Emilio Grau Sala. The work depicts a large group of jockeys and horse owners talking...

A Cottage In The Forest by Harold Storey ( 1888 - 1965) signed & dated 1940 oil on board, unframed board : 6.5 x 9.5 inches Provenance: private collection Condition: sound & good con...

ROBERT KENNETH WHITE – "CAIRN ROAD" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A QUIET TESTAMENT TO ENDURANCE AND SOLITUDE In “Cairn Road” (2012), Robert Kenneth ...

The Ploughing Field by Josine Vignon (French 1922-2022) stamped verso oil painting on board, unframed board: 21 x 29 inches very good condition provenance: from the artists estate, ...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

Octave Denis Victor Guillonnet (1872 - 1967) Les Oliviers, A landscape with olive trees signed "EODV Guillonnet" lower right Oil on wood panel 38 x 46 cm...

Fine 19th century oil painting of a bustling Austrian/Germanic village with horse, rider and various figures outside an Inn, attributed to Arthur Georg Ramberg (1819-1879), well known for figurative genre paintings. The rider is carrying a bugle, apparently announcing news to the people; men are sitting by the table drinking, one with a raised stein. Women walking by stop to listen, a man carrying a sack has stopped to watch the rider, people are in the Inn doorway, and one is looking out the window. Children pause their playing. The scene is under a large tree beside the Inn; a whole community waiting for news. There is a great deal of detail in the scene, tree and Inn house...

A large American Western, Native American oil on canvas landscape, by Frank Paul Sauerwein (1871-1910), "The Captive", 1901. This large oil on canvas depicts a Native American brave captively tied to a tree stump and being viewed by a rival tribe, who are evidently deciding his fate. Behind the collected tribe of elders, braves and children are a pair of conical tipi dwellings, to the background are grazing horses and another group of native people in a tree lined setting. The painting is indistinctly signed lower left, condition is good, the painting is housed in the original frame with a giltwood rabbet, the painting at sight is 40" x 26". Provenance; From a lifelong collection of 19th & early 20th Century Western Art, Portland, Oregon. Frank Sauerwein was a respected painter of western landscapes, Indian portraits, Indian genre scenes, and California missions. His promising career was cut short by his death of tuberculosis at age thirty-nine. The son of European-trained artist, Charles D. Sauerwein, Frank took his first art lessons from his father before studying at the Philadelphia School of Industrial Art, the Pennsylvania Academy of Fine Art, the Art Institute of Chicago and, finally, the Philadephia Museum School of Art. In 1891 he moved to Denver in hope of improving his health. In 1893, Sauerwein accompanied the artist Charles Craig on a trip to the Ute reservation in southwestern Colorado. This began Sauerwein's unyielding fascination with the Southwest and its Native inhabitants. After a trip to Europe, he returned to the American West, visiting Taos in 1899 and Santa Fe in 1900. That same year, Sauerwein visited the Navajo reservation, becoming good friends with trading post entrepreneur, Lorenzo Hubbell. He also spent time at Keam's Canyon on the Hopi reservation where he sketched local inhabitants. Sauerwein moved to Los Angeles in 1901, and then to Pasadena in 1902, but he maintained his contacts in the Southwest with Summer trips to the Grand Canyon, New Mexico Indian Pueblos, Taos, Santa Fe and Albuquerque. He especially loved the Grand Canyon which is the subject of a large number of his paintings. Rendered in a tight, academic style, Sauerwein's paintings clearly show the influence of German...

Leigh Ann Van Fossan's "Secret Garden" (2023) is an original, handmade oil painting that depicts a path surrounded by colorful flowers and trees arching over. Van Fossan was born in...

This is a lovely oil on board landscape by noted Midland, Texas artist Alpha Johnson Lanham. It is a view of old stone steps within a landscape. The painting is an essay in paint a...