Henri d'Anty Furniture

Large still life oil on canvas Painting Artwork. Unsigned, believed to be early 20th Century as judged by the frame. In good antique condition with minor knocks, marks, age related ...

Still life of flowers signed J van Neesen encased in gilt frame. Dimensions: Height 26 inches Width 22 inches Depth 2 inches.

Still life of flowers signed J van Neesen encased in gilt frame. Dimensions Height 30.5 inches Width 26 inches Depth 1.5 inches.

Still life of flowers signed J van Neesen encased in gilt frame. Dimensions Height 31.5 inches Width 28 inches Depth 1.5 inches.

Still life with flowers in a vase, oil on canvas, signed Manuela Bonati encased in carved frame. Dimensions Height 28 Inches Width 24 Inches Depth 2 Inches.

Realistic still life oil on canvas painting depicting onions, beets, onions, carrots, a pot, a bottle of red wine, and a green pepper, signed ...

Oil painting on canvas depicting a still life scene with fruit atop a table, signed "Pieter" lower right, housed in a gilt wood frame. Dimensions: Image: 4.5" H x 6.5" W; frame: 1...

Oil on Canvas Still-Life of Bottles, Vases and Teapot. Nice Colors! Original Frame shows Gesso Loss to left side but has a great look!

A beautifully expressive still life painted with oil on canvas signed and dated 1994. This piece is a great combination of Randall's typical subjects, woman figures, and fruit. Rand...

Vintage (20th Century) oil painting capturing the romance of opened and blooming garden roses amid a lush and verdant background, painted on rectangular, unframed canvas.  

Vintage unsigned blue hue still life featuring yellow flowers with teal vase and beautiful shadow work. The piece has a modern element with almost a monochromatic story featuring sev...

Franz Mörscher The composition of the painting is deliberately designed for reduction and corresponds to the idea of cultural minimalism and the new objectivity that developed in the 20th century. Mörscher chooses the rational, crystalline form of the representation of selected objects (vases, lemon, fruits?) and uses color as surface and line to create structure in the space. In this composition, Mörscher reduces the classical means of perspective to create a pictorial space between object light and color. The application of paint appears partially modeled. The natural crack and fissure network (Krakelee) of the sometimes layered paint application seems to be deliberately achieved. The selection of the depicted objects is possibly also based on symbolic aspects. After the desolation of the war years, the painting speaks of the color world of the spirit of optimism of the 1950s. W 63 x H 50 Measures with frame: W 71 x H 58 Biography Franz Mörscher was born on November 7th, 1931 in Bundenbach and died on July 14th, 2018 in Neunkirchen (Saar). Besides the sculptor Hubert Nietsch, he was the second artist to set a monument to the miner’s cow in public space in Germany from 1993 to 1995. Franz Mörscher studied from 1951 at the School of Arts and Crafts Saarbrücken with Boris Kleint among others in the subjects of painting and sculpture. During his studies he met the photographer Otto Steinert...