Henry Wilson Seating

The EUR stool by Fabio Novembre is a cube printed with shapes and geometries inspired, to scale, by Italian rationalist architecture of the 1930s and 1940s. The stool can be multi-pu...

Cylindrical white Carrara stool with Honey Onyx marquetries as a placeholder for the person who sits on it. It can also be used as a side table. This piece is part of the Sunnei x Bl...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

Bertu Counter Stools, White Oak Counter Stool, Chile Stool This White Oak Chile Counter Stool is beautifully constructed from solid wood...

Henry the armchair is an original design by Brian Holcombe. Ergonomically designed around the human proportion this chair accommodates comfortable seating. These chairs are indivi...

The Carved Stone Stool Series are combinations of either straight or tapered capitals and bases. Shape 3 is the third in the series of 4 shapes, with a straight capital and tapered b...

Cult stool/ side table; a hand sculpted stone from a Mexican marble and Mexican onyx conglomerate, remits to primal sculptural-architectural language while displaying materials in a ...

The Smatrik stool joins the family of seats created by Tokujin Yoshioka and is crafted using a mould which enables the recreation of a 3D net that overlaps and crosses over.Thanks to...

Cult stool/ side table; a hand sculpted stone from a Mexican marble and Mexican onyx conglomerate, remits to primal sculptural-architectural language while displaying materials in a ...

Cult stool/ side table; a hand sculpted stone from a Mexican marble and Mexican onyx conglomerate, remits to primal sculptural-architectural language while displaying materials in a modernist manner. The piece allows for the specificity of the material’s eccentric pattern formations to rein over its final appearance. Each edition; a unique piece. Working with rocks that are endemic to Mexico contextualizes the work at a geological level. Situating the pieces in a continuing and evolving historical narrative. Like taking part in an archeological exploration, working with native stones reveal a heritage of meticulous craftsmanship developed under the possibilities and limitations of local materials. When sculpting stone, you only get one chance to get things right. As each rock is different one must tailor form onto the material, in the way of discovering what each piece hides. Exhibited at El Elogio de la Sombra- Galerie Philia: Mexico City (2024) LOVE HOUSE...

Working on FiDU technology is all about experimenting with new materials, finishes, to find out new possibilities of use for the technology. The super-unique Plopp in aluminum is a m...

The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporar...