Herbert Oehm Prints and Multiples

Digital print on canvas. Hand signed lower right by Romero Britto. Open edition of an unknown size. Britto Studio stamp on verso. Custom framed as pictured. Canvas size: 11 x 11 ...

Marc Quinn Green Herbarium, 2024 Hand-pulled 4-Layer Screen Print on Mohawk Superfine 352gsm paper Embossed, signed and numbered on the front 60 x 45 cm Edition of 150 Marc Quinn is...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Inca Year: 1984 Medium: Screenprint, signed, numbered, titled, and dated in pencil Edition: 150 Size: 30 x 22 in. (76.2 x 55.88 cm)

A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in a green and yellow palette by Post War artist Josef Albers. The artwork is numbered 1981....

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...

Artist: Ray Elman Title: All's Well That Ends Well Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 160 Paper Size: 32 x 28 inches

This serigraph was created by Greek artist Chryssa. A pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, Chryssa...

Enamel screen printing, edited in 1997. Limited edition of 199 copies, numbered 19/199 Signed in pencil by artist in lower right corner. Very good conditions. Paper size: 85 x 85 cm...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artis...

Emil Schumacher Hagen 1912–1999 San José/Ibiza Genesis, Sheet 1 Terragraph on sturdy handmade paper Dimensions: 40.5 x 40 cm Frame: 47 x 47 cm From an edition of 120 unsigned copies...

Exhibition "Les Couleurs Harmonic 75" seen by 9 Painters 1975 56 x 56 cm Silkscreen sold for the benefit of the Pasteur Institute in agreement with the Foundation for Medical Researc...

Edward Landon, 'Counterpoint', color serigraph, 1942, edition 25, Ryan 45. Signed, titled, and annotated 'Edition 25' in pencil. A fine impression, with fresh colors, on cream, wove paper; the full sheet with margins (7/8 to 2 1/2 inches). A 1 1/2 inch crease across the top left sheet corner, well away from the image, otherwise in excellent condition. Scarce. Matted to museum standards, unframed. Image size 13 9/16 x 14 5/16 inches (344 x 364 mm); sheet size 14 15/16 x 17 inches (379 x 432 mm). Literature: – 'A Spectrum of Innovation: Color in American Printmaking', David Acton, New York, London, 1990. – 'American Screenprints', Reba and Dave Williams, New York, 1987. – 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Impressions of this work are held in the following museum collections: Albright-Knox Art Gallery, National Gallery of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931 he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...