Howard Bradford Art

A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

Color screenprint on white wove paper, 1972. Signed by the artist dated in pencil lower left. Numbered 67/150 in pencil lower right. Printed by Kelpra Studio, London, with the ink ...

Frank Stella Polar Co-ordinates Variant Ia, from Polar Co-ordinates for Ronnie Peterson, 1980 is a print that is from the Polar Coordinates for Ronnie Peterson series. Using the titl...

A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 74/75 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York.

Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...

b. 1938, Lithuania Kes Zapkus has always been intrigued with analyzing and tracing thought processes. By juxtaposing images of architectural building plans conceived of by several u...

Color screenprinton J. B. Green paper, 1970-71. Initialed by the artist and numbered 85/150 in pencil, lower right. Printed by Kelpra Studio, London. Published by Marlborough Graph...

Robert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...

In Martin’s Weft, we see the layered biomorphic slivers and shapes that are characteristic of her work in painting. The term weft refers to the weaving process, meaning the threads t...

Phosphor (short for phosphorus) comes from the Greek word meaning ‘morning star’ and refers to bearing light, specifically Venus in its morning state. Painter Pamela Jorden plays wit...