Hugo Pondz Art

Oil on panel, signed and dated 2018. Classic French black wooden frame with gold leaf. Unframed size: 19.69 inches high x 19.69 inches wide. Framed size: 25.2 inches high x 25.2 inches wide x 1.25 inches deep. Sold framed. Inspired by the modest works of the French painter, Chardin, this classic composition focuses on the simple, zen-like qualities of the gustatory delights of Stefaan’s locale, where bread and cheeses are freshly made and sold at his favorite outdoor market. Interposed with a large knife and antique glass wine bottle...

Oil on panel, signed and dated 2012. French handmade wooden Delf frame, raised panel with dark gold/bronze patina and gold leaf. Unframed size: 19.09 inches high x 15.75 inches wide. Framed size: 29.5 inches high x 25.125 inches wide x 1.63 inches deep. Sold framed. Stefaan’s tribute to the great French neoclassical painter stems from first seeing Gericault’s horses...

Oil on panel, signed and dated 2007. Classic French black wooden frame with raised panel and gold leaf. Unframed size: 18.11 inches high x 14.96 inches wide. Framed size: 25.6 inches high x 22.4 inches wide x 1.25 inches deep. Sold framed. Inspired by 17th century Masters, Davidz De Heem and Willem Heda...

Oil painting, boats fishing on a misty morning by Robert Chalmers 1874. Signed and dated by the artist. Canvas size: 69cm x 106cm, Framed size 87cm x 123cm Robert Chalmers, littl...

Oil on panel, signed and dated 2001. French wooden frame in ivory with gold leaf. Unframed size: 19.7 inches high x 23.6 inches wide. Framed size: 26.4 inches high x 30.5 inches wide x 1 inch deep. Sold framed. The first Eyckmans’ painting to employ a brighter, golden palette, this everyday kitchen scene explores the differing textures of the objects within. The artist’s love of all things French is exemplified here with antique pottery, a starched linen tablecloth, breadboard and, of course, fruit and favorite cheeses. Note the superb shadowing of the board extending over the table, the detailing in the chèvre and paper wrapping to the left, and the asymmetrical cluster of stemmed Muscat grapes, all illuminated by easterly light. Classical in perspective and execution, but with a more contemporary feel that derives from the use of color and light, this painting marks a transformational point in the artist’s work. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2013. French handmade wooden Delf frame, black raised panel with silver leaf. Unframed size: 35.4 inches high x 40.6 inches wide. Framed size: 44.1 inches high x 49.2 inches wide x 1.5 inches deep. Sold framed. Quinces are a symbol of fertility, and for the artist, they’re adored for their voluptuous, irregular shape. To him, imperfect fruits are more realistic, more truthful, and most beautiful. In this large composition, the bright, primary coloring of the quinces is heightened by their placement in front of the vintage oil can...

Oil on panel, signed and dated 2009. French handmade wooden Delf frame, red bolus ground with gold leaf. Unframed size: 11.8 inches high x 19.7 inches wide. Framed size: 21.3 inches high x 29.1 inches wide x 1.25 inches deep. Sold framed. This striking and animated combination of plums with a 15th Century earthenware bowl placed atop a worn plank table hearkens back to the Old Masters while remaining present-day through its geometric composition and use of negative space. Chosen for the pictorial qualities…their shape, color, scale, and satiny skin, a true representation of plums is difficult to capture, as their essence changes and degrades in a matter of hours. As such, the artist focused on including their essential details in the first layer, a practice that is unusual for him. Note the exceptional detailing in the fine variations of color and shape of the fruit, particularly the stems, and the progressive feel attained through the balance of light and color. This painting is available for viewing at The Elemental Garden in Woodbury, CT, the exclusive U.S. representative for the artist. Stefaan...

Follower of George Morland landscape country scene depicting pigs and dogs etc With presumably husband wife and child outside their cottage also maybe gra...

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...

Venetian harbor scene with St Marks in the background oil on oak panel. Exceptional quality. Signed illegibly lower left. From an old Philadelphia collection.

GIFFORD JOHN. Hunting dogs at rest. Oil on canvas. Signed.

A fine oil by James Paterson (1854-1932) circa 1910's. oil on canvas 51cmx64cm Antique oak frame with giltwood slip frame 73cmx 83cm An interesting still life compostion consisting essentially of momento mori objects with sprigs of flower blossom. All relate to the life of Joan of Arc. Good original condition having craquelure to the paint surface, small areas of blistering which is stable. James Paterson's oil paintings make up to 10,000USD at auction alone. Viewing welcome. Higher resolution images available. Worldwide shipping arrangeable. James Paterson PRSW RSA RWS (21 August 1854 – 25 January 1932), was a Scottish landscape and portrait painter associated with The Glasgow Boys movement of artists. He is best known for his landscape paintings of Dumfriesshire, where he lived, at Moniaive from 1885 to 1905. ames Paterson was born at Blantyre, near Glasgow on 21 August 1854, the eldest son of Andrew Paterson (1819-1907) and his wife Margaret Hunter (1817-1901). The Hunter family were sewed muslin manufacturers in Glasgow. When his father was orphaned at nineteen his uncle James Hunter appointed him a foreman in his warehouse and took him into partnership two years later at the early age of twenty-one. His father was a good watercolourist as well as one of the earliest amateur photographers in Scotland and most of his family developed artistic interests. James' brother William, born 1859, later became the owner of a gallery in Bond Street, London and his youngest brother Alexander, born 1862, became an architect.James studied at the Glasgow School of Art under Robert Greenlees and subsequently in Paris under Louis Jacquesson de La Chevreuse (1839-1903) and Jean-Paul Laurens (1838-1921). A couple of years after returning to Scotland he married, in 1884, Eliza Grier Ferguson, daughter of an engineer, William Ferguson...