James Brown Prints and Multiples

Lithograph, 1981 Handsigned by the artist in pencil and numbered 45/100 Publisher : Maeght - Lelong SA (Paris) Printer : Pierre Badey (Paris) Catalog : Mason Putman 390 LCD5156

"Julio Girona (Cuba, 1914-2002) 'Habitación interior', silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 115 ID: GIR1066-001-115" "Julio Giro...

Francis Bacon (British, 1909-1992) Three Studies for Self Portrait, c. 1981 Lithograph in colors on Arches wove paper Edition 81/150 with Arabic numbering. There were also 25 H.C. (...

Lithograph, 1979 Handsigned by the artist in pencil and numbered 88/100 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason Putman 341 ...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 23/54 Sheet Size: 29 5/8" x 8 3/4"...

Artist: Alec Monopoly Title: DJ Monopoz - Blue Medium: Screenprint in colors Date: 2026 Edition: 4/50 Frame Size: 31 3/4" x 26 3/4" Image Size: 29" x 24" Signature: Hand signed in pe...

Shepard Fairey A Hard Rain’s A-Gonna Fall Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. In this portrait inspired by Bob Dylan, Shepard Fairey reflects on the enduring cultural and political significance of one of the most influential songwriters of the 20th century. While acknowledging that Dylan’s vast catalog varies in resonance for him personally, Fairey emphasizes the extraordinary impact of Dylan’s strongest work—particularly his socially conscious and protest-oriented songs—which helped redefine the role of music as a vehicle for commentary, dissent, and cultural transformation. The print takes its title from Dylan’s seminal song A Hard Rain’s A-Gonna Fall, a composition Fairey regards as emblematic of art that is both timely and timeless. The lyrics—filled with surreal, apocalyptic, and symbolic imagery—serve as a poetic meditation on violence, injustice, fear, and moral urgency. For Fairey, Dylan’s ability to combine lyrical complexity with emotional immediacy positions him not only as a musician, but as a “people’s poet” whose work continues to shape public consciousness across generations. Visually, the composition is based on a photograph by Daniel Kramer, who documented Dylan extensively during his rapid rise to prominence in the mid-1960s. Fairey’s interpretation captures both Dylan’s self-possession and his well-known resistance to being cast as the singular “voice of a generation.” Through bold graphic stylization and restrained symbolism, the portrait pays tribute to Dylan’s lasting influence on music, political expression, and artistic independence. Bob Dylan portrait...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5352

Lithograph, 1976 Handsigned by the artist in pencil and numbered 12/100 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason-Putman 223 ...

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. Created in 1983/2024, 'Odours of Punt' by Jean-Michel Ba...

Shepard Fairey God Save the Queen, (UK) and Land of Liberty (US) 2012 Screenprint on cream speckle tone paper 24 × 18 inches A rare, pencil signed Artists Proof, aside from the regu...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 27/54 Sheet Size: 29 5/8" x 8 3/4"...