James Montgomery Flagg Mixed Media

Whimsical textured relief painting of two stylized twin jesters in primary colors, their long mask-like faces created with the technique of hand carving layers of laminated paper board and painting with acrylic, by contemporary English artist Martin Ingley...

Frank Stella The Whale Watch Shawl (signed in indelible black marker), held in red silk presentation box; also with embossed COA hand signed by both Frank Stella and Kenneth Tyler, 1994 LARGE: (54 Sq inches) Silkscreen on 100% Italian Silk Shawl, hand signed by Frank Stella in indelible black marker, folded in Red Silk Box with Embossed Certificate of Authenticity (Brand New in Original Red Silk Box) - embossed COA is Hand Signed by Frank Stella and Kenneth Tyler Hand Signed and dated by Frank Stella on recto; signed by BOTH Stella & publisher Kenneth Tyler, and numbered on accompanying embossed COA 54 × 54 inches Unframed and held in original red Italian silk gift box Makes a terrific gift! Stunningly large -- 54 Square Inches. This work looks dazzling framed and hung on the wall -- but as it is a signed silkscreen on silk, but it can also be worn as a gorgeous and exclusive artistic fashion statement. Who else is wearing a Frank Stella scarf...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

Fujiko’s work amalgamates a contrast of the contemporary with traditional scenes, juxtaposing Indian black ink on a variety of warm textured papers, whilst forming a modern emotive f...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-medi...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes – just like the ones Forrest Gump...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes...

Evelyn Harper, "Untitled: Cadillac Automobile Show" , Mixed Media on Illustration Board, 15 x 10, Mid-20th Century, 1948 Colors: Black and White A 15 x 10 Black and White Illustrat...

"It’s Complicated" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The pa...

Artist: Stephanie Todhunter Title: Ellie Year: 2019 Size: 8.5"x7"x4" Material: Plaster of Paris found objects, Spray Paint, alcohol inks Each piec...

Mr. Brainwash Love is the Answer Spraycan, 2020 (Red) Limited edition metal spray can in custom fitted box 7 1/2 × 2 3/4 × 2 3/4 inches Edition 73/125 Plate signed on the back; dated...