J.B. Holmes Interior Paintings

An oil on canvas painting of a woman sitting in front of a mirror, tending to her hair. Window open behind her admits natural light. Ben Fenske (b. 1978) although a native of Minnes...

Antique American impressionist barn landscape oil painting. Oil on canvas. Framed. Measuring: 23 by 25 inches overall, and 20 by 22 painting alone. Excellent condition, ready to ha...

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

A small sketch by American Impressionist, Ben Fenske. Painted on site at a local pub, Ben Fenske sketches out an incoherent bar scene. Perhaps the obscurity of forms is a nod to the ...

Fabien Fabiano (1882, Lamballe – 1962), Signed bottom right Oil on canvas Canvas Size" 24 x 20" (61 x 51cm) Outside Frame Size: 31 x 27" (79 x 69cm) F...

Vintage Italian oil painting. Oil on board. Framed. Measuring: 14 by 16 inches overall, and 12 by 14 painting alone. Unsigned. Excellent condition, ready to hang and enjoy.

The painting with rainy Manhattan painting is a great and stylish cityscape - the play of dark and light shades is captured professionally and looks great in the interior of an office or your home. The picture is author's and original. It's signed on the front and back. The edges of the picture are painted. Materials used: oil on canvas, supported wooden frame. Dimensions: 19,7x27,65 in. Packaging: I pack the paintings in special paper, then I wrap them with bubble wrap, and finally I cover artworks with strong wooden sheets. Nikolay Dmitriev...

Flowers Starwars Vibrant floral still life Technique: oil, acrylics and ink on canvas 70x50cm ■■ 27.6x19.7 inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed work. Certifi...

French early 20th century architectural oil on canvas view of the Palace and Musee du Louvre in Paris by Émile Saudemont. The painting is signed and located bottom right and is prese...

Hubert Glansdorff Brussels 1877 – 1963 Knokke Belgian Painter 'Roses in a Green Vase' Signature: signed lower left and dated 1941 'Glansdorff 41' Medium: oil on canvas Dimensions: image size 80 x 100 cm; frame size 107 x 127 cm Biography: Hubert Glansdorff was born in Ixelles, Belgium, in 1877. He was a Belgian figurative painter whose work encompassed genre scenes, seascapes, floral still lifes, female figures, nudes, and portraits. Over the course of his career, he developed a distinctive painterly language that combined academic training with a luminous, colour-rich sensibility. From an early age, Glansdorff showed a natural inclination toward pictorial expression. The picturesque aspects of life and landscape emerged organically in his work rather than as a calculated artistic choice. His visual world was shaped by instinct as much as by study, resulting in compositions that often feel immediate and atmospheric. He initially admired the Flemish Primitives, whose influence can be felt in his attention to structure and tonal harmony. However, Glansdorff gradually evolved toward a more personal form of Luminism, characterised by warm light effects, vibrant colour, and a heightened sensitivity to atmosphere. His palette became increasingly rich and expressive, particularly in his floral compositions for which he gained considerable recognition. Glansdorff studied at the Brussels Academy of Fine Arts, where he worked alongside and was influenced by artists such as Joseph Stallaert. During his formative years, he also developed friendships with contemporary artists including Joris De Bruyne, Alphonse Blomme, and Albert Alleman. He became a member of the Cercle Artistique et Littéraire de Bruxelles, an important artistic circle in the Belgian capital. In 1904, he exhibited at the Salon des Indépendants in Brussels, presenting works such as Armenian Fiddler. Later, in 1920, he participated in exhibitions at the Cercle Artistique et Littéraire, the Salle Studio, and the Salon d’Automne, alongside artists such as Pierre Abattucci, Firmin Baes...

An evening summer landscape was painted en plein air in one of the artist’s favorite places. Beautiful wildflowers always grow along the overgrown Yelchik River, which inspire the ar...

Mediterranean Church Square with Figures Spanish Impressionist Oil Painting Artist: Joan Roig i Soler (Barcelona, 1852–1909) Title: Mediterranean Church Square with Figures Medium: Oil on canvas Dimensions: 36 × 32 cm / 14.2 × 12.6 in Framing: Unframed Signature: Signed lower right Period: Late 19th to early 20th century Country of origin: Spain Style: Catalan Luminism, Impressionism, Mediterranean painting Subject: Church square, village architecture, figures, religious procession Condition: Good antique condition, with age-related wear and surface texture consistent with its period. Please examine the photographs carefully, as they form an integral part of the condition description. Description An exceptionally atmospheric Mediterranean village scene by Joan Roig i Soler, one of the founders and leading representatives of the Sitges Luminist School. The composition depicts a sunlit church square animated by a gathering of villagers dressed in traditional clothing. Several figures appear to carry baskets or offerings, suggesting a local religious celebration, market day or procession taking place outside the church. Whitewashed houses, balconies, green shutters and warm ochre façades frame the scene, creating an evocative image of everyday life in a historic Spanish coastal town. Roig i Soler constructs the view through loose, confident brushwork and a luminous palette of pale blues, creams, rose, ochre and muted green. The broad foreground and diagonal shadows guide the eye towards the group assembled beside the church entrance, while the vivid Mediterranean sky gives the entire painting a radiant, open-air atmosphere. The contrast between the sunlit architecture and the compact crowd demonstrates the artist’s ability to combine landscape, urban architecture and costumbrista figure painting. Rather than describing every individual in detail, Roig i Soler uses rapid touches of colour to create movement, light and social energy. The result is spontaneous and highly decorative, yet also historically evocative. Works showing populated streets and village squares are especially desirable within Roig i Soler’s production, as they unite his celebrated treatment of Mediterranean light with a vivid record of Catalan and Spanish daily life. Its intimate format also makes the painting particularly suitable for a salon wall, study, library or carefully assembled collection of European Impressionist art. Artist biography Joan Roig i Soler was born in Barcelona in 1852 and became one of the most important Catalan landscape painters of the late 19th century. He studied at the Escola de la Llotja in Barcelona and trained under Modest Urgell, one of the leading Spanish landscape painters of his generation. After travelling through France and Italy, Roig i Soler settled for extended periods in Sitges, where he worked alongside Arcadi Mas i Fondevila. Together they became central figures in the development of the Sitges Luminist School, a pioneering movement devoted to plein-air painting, Mediterranean light and direct observation of nature. The Sitges Luminists moved away from academic historical painting and focused instead on beaches, ports, village streets, churches and everyday life. Their experiments with natural light anticipated important aspects of Catalan Modernism and helped establish Sitges as one of the principal artistic centres of Spain. Roig i Soler painted throughout Catalonia and the Balearic Islands, including Sitges, Barcelona, Blanes, Tossa de Mar, Cadaqués, Camprodon and Mallorca. His work is admired for its luminous colour, animated brushwork and sensitive depiction of Mediterranean architecture and coastal atmosphere. He participated in major exhibitions in Barcelona, Madrid, Zaragoza and Paris and served as a jury member at the 1888 Barcelona Universal Exposition. His paintings are represented in important public collections, including the Museu Nacional d’Art de Catalunya and the museums of Sitges. Artistic inspiration The luminous treatment of architecture and atmosphere recalls the Mediterranean clarity of Joaquín Sorolla, while the lively arrangement of figures and spontaneous plein-air brushwork evokes Pierre-Auguste Renoir and Camille Pissarro. The elegant observation of everyday urban life also connects the work with John Singer Sargent and the Venetian street scenes of Maurice Prendergast, filtered through the distinctive light and vernacular architecture of Catalonia. Joan Roig i Soler, Spanish Impressionist painting, Catalan Luminist painting, Mediterranean village painting, Spanish church painting...