Jean Messagier Prints and Multiples

This proof is one of just a few printed in this color combination: the edition of 110 is printed with an orange background, while this copy is a muted yellow with the central, scribb...

Artist: Joan Miró (Spanish, 1893-1983) Title: "Untitled (page 20, 21)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued uns...

Marino Marini - Knight - Original Lithograph 1968 Dimensions: 32 x 48 cm From the art review XXe siècle Unsigned and unumbered as issued

René Magritte - LES AMANTS, 1928 (THE LOVERS) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Condition: New, in mint condition and never f...

Salvador Dali - Attack on the Windmils - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed in the image LIMITED : 197 copies. SIZE : 64.5...

Untitled (Surrealist Composiition) Lithograph with hand coloring, 1945 Signed and dated lower right (see photo) Numbered 10/12 lower left (see photo) fragment from 6X litho In 1945, ...

Joan Mitchell, Trees III, from Trees, 1992 is lithograph in colors, on two sheets of Rives BFK paper. This work is hand-signed and dated by Joan Mitchell (Chichago, 1925 - Neully-sur...

From the private collection of a Texas art connoisseur, this rare set comprises all four framed limited European edition lithographs from Salvador Dalí’s 1978 Retrospective Suite. Ea...

This three-part work spanning 10 feet was printed from the plates of Francesco Clemente’s mythological landscape Untitled A on the occasion of the 1986 MoMA, New York show of Clement...

This is a unique handmade monotype cyanotype representing a functional stone tool set inspired by the magical forms of early human tools. Created through the cyanotype process using ...

Louise Nevelson (1899-1988) Dusk in August (1967) Lithograph with embossing Size: 17 x 22.25 in (43 x 56.4 cm) Frame size: 21.75 x 26.75 in (55.25 x 67.95 cm) Edition of 100, this i...

Rio de Janeiro is a colorful, bold, graphic, and visually compelling offset-lithograph by blue chip, pop artist Robert Rauschenberg. ​​​​​​​​​​​​​​​​In 1991, he was involved with th...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

Joan Miró, Le Delire du Couturier, Bleu, Rouge, Vert, 1969. Color lithograph, signed on lower right, numbered 2/30. Catalogue Raisonné: Mourlot 645.

Robert Motherwell Untitled (from Portfolio 9), 1966 Lithograph from one zinc plate printed in blue, 1966 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's tra...