Jianping Lai Art

Pocket Very Ochre Blush Pear 223 (canvas size 7x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintin...

This twentieth-century oil on canvas painting depicts a traditional Dutch country genre scene complete with a quiet waterway, cottage, and windmill against a pale sky. A young girl s...

Autumn Goodies This still life was painted from life. Soft, diffused daylight fills the space, gently interacting with transparent glass, matte surfaces, and textured fabric. The r...

This exquisite artwork captures the vivid beauty of a floral arrangement in a clear glass vase. The painting showcases a harmonious blend of rich colors, with deep reds, soft pinks, ...

Jim Beckner's (US based) "Roadway II" is an original, handmade oil painting on board that depicts a bustling downtown cityscape in motion, cars driving down the street among the brig...

Jacques Eitel (French, 1926-2006) Le Chateau d'O, Hand signed lower right. The stretcher is hand inscribed in pencil "Le Chateau d'O" and retains labels from Doyle Auction House N...

This painting is titled Still Life Artist Studio and it has been previously attributed to the British painter Gerald Norden (1912–2000). Gerald Norden ( sometimes his name was spel...

This original oil painting captures the rich, warm essence of autumn in a beautifully composed still life. A generous bouquet of seasonal flowers — beautiful purple chrysanthemums an...

"Still Life" WPA American Scene Social Realism Modern Thomas Hart Benton Student Daniel Celentano (1902-1980) "Still Life" 14 1/8 x 10 1/2 Oil on canvas Signed lower left and on str...

Signed post impressionist oil on canvas landscape by French painter Lucien Levy-Dhurmer. The piece depicts the gardens of a Moorish Palace at evening. Painted in largely blues, there are some flowering trees in the front of the work below a much larger bare tree. Beyond that the palace sits below a starry sky. Mr. Jumeau-Lafond believes the work was likely painted in Morocco but he also stated that Dhurmer often used imagination to construct settings for his ideas. Signature: Signed lower left Dimensions: Framed: 39"x31" Unframed: 32"x24" Provenance: Private collection - France The authenticity of this work has been confirmed by Jean-David Jumeau-Lafond A certificate of authenticity from Mr. Jumeau-Lafond is available upon request Lucien Lévy-Dhurmer did not follow the conventional route for education in fine arts but was nevertheless a pupil of the painters Raphaël Collin, Vio and Wallet. He was an ornamental painter in an earthenware factory in Golfe-Juan from 1887 to 1895, which influenced his use of pastel. He travelled to Italy in 1895. Around 1902 he painted the portraits of Rodenbach, Pierre Loti and Marguerite Moreno. Although he had not been instructed by Puvis de Chavannes or Gustave Moreau, he seemed to have much in common with those visionary 'painters of the soul' who had been exhibiting at the Salon de la Rose-Croix for several years: Edmond Aman-Jean, Louis Welden Hawkins, Henri Martin, Charles Maurin and Alphonse Osbert. Following the example of some of these artists, Lévy-Dhurmer admired Italian Renaissance art, evidence of which can be seen in pastels such as Woman with a Medal, Medusa, Circes and Florence. His translation of the Symbolist themes in the scores of Beethoven ( Appassionata), Fauré or Debussy into different hues made him seem like a visionary, but his aesthetic seems to have changed to some extent after 1900, when his landscape painting became more prominent. In fact, only his presentation and style changed. He continued to suggest feelings, interpretations and emotions but without relying on any traditional allegories. He became involved in the Intimist movement, along with Ernest Laurent, Charles Cottet, Henri le Sidaner and René Ménard, whose pastels presaged the Classicism of the 1930s. He exhibited at the Salon des Artistes Français in Paris from 1882. From 1906 he was associated with the Salon de la Société Nationale des Beaux-Arts. He showed his works in individual exhibitions, notably in 1896 at the Galerie Georges Petit in Paris, which was a very successful exhibition and earned him admiration in artistic and literary circles alike. Several decades later the exhibition Around Lévy-Dhurmer ( Autour de Lévy-Dhurmer) at the Galeries du Grand Palais in Paris in 1973 revealed a tendency in art which had been largely unknown until then and which remained on the margins of the great innovative movements of the 20th century, but which was nonetheless of a quality which could not be ignored. Lévy-Dhurmer obtained a distinction from the Salon des Artistes Français in 1896 and a bronze medal at the 1900 Exposition Universelle in Paris. He became a Chevalier of the Légion d'Honneur in 1902. Museum and Gallery Holdings Bayonne (Mus. Basque): Portrait of Pierre Loti (1896, pastel) Brest (MBA): Circes Detroit (AI): Vase with Dragonflies (1890, earthenware with iridescent glaze) Mulhouse: Harvest New York (Metropolitan Mus. of Art): Flower Pot (c. 1893, earthenware with metallic glaze) Paris (Mus. d'Orsay): Portrait of Georges Rodenbach (c. 1895, pastel on paper); The Woman with a Medal (1896, pastel on paper on card); The Lost Explorer...

Ulrich Gleiter's (EUR based) "On a Bright Winter Day" is an oil painting that depicts a small wooden structure surrounded with tall trees all coated with a heavy blanket of snow. B...

Mikael Olson's (US based) "In The Woods" (2024) is an original, handmade oil painting, which depicts gondolas rowing down the canals of Venice, Italy. Artist Biography and Statement...