Joe Currie Art

Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...

"Cha Dooky Doo" Abstract Expressionist Composition in Acrylic on Canvas Bright and dynamic abstract composition by Nancy B. Westfall (American, b. 1970). Made up of circular repeating shapes, this piece is layered and full of patterns. The background is a layer of very pale yellow over a base coat of grey-blue. There are circular shaped in light blue, brown, pink, and grey. Other shapes are made out of various shades of grey, yellow, purple, and pink. This piece is titled after the song by Art Neville. Titled and dated in the center right of the composition "Nancy B.". Signed in the lower right corner. Titled and dedicated on verso. Image, 24"H x 24"W x .5"D Nancy B Westfall (American, b. 1970) began studying at the age of 14 with renowned Hungarian artist Magda Mader, who focused on perspective, discipline, and respect of materials. Westfall continued her art studies through college, earning a Bachelor’s of Fine Art from the University of Georgia in 1993. Her studies took her abroad to Cortona Italy and introduced her to color theory, which has since greatly infuenced her use and application of color. Following her undergraduate years, Westfall apprenticed with several professional artists, until returning to graduate school to pursue a Masters of Art from East Carolina University in 1996. During her graduate program, Nancy B studied with Paul Hartley. Westfall shows in galleries across the country, including Gregg Irby...

This abstract painting exudes a sense of fluidity and energy, evoking the impression of light filtering through water or reflections on a shimmering surface. The composition is domin...

A striking large-scale abstract expressionist figurative acrylic on canvas by Bay Area artist Julius Wasserstein (American, 1924-1985). Two abstracted figures, a man in a suit and a woman in a blue wedding dress...

This original large-format abstract painting by renowned New Mexico artist Suzanne VandeBoom (20th–21st Century) exemplifies her powerful, expressive...

Summer blooming Ukrainian field. Inspired me to create this picture. I really like to paint abstract pictures. I paint them with feelings and energy of the inner body. This picture...

This contemporary landscape—an abstract expressionist painting with a touch of impressionism and Art Brut, depicting the South of France, Provence—was created by French artist Nataly...

Compelling figurative abstract of the silhouette of a figure in white, in a minimalist monochromatic background by Jean Wallin (American). Signed “Wallin” in bottom right corner. Pre...

How often are we held back from deciding by the many limiting beliefs and frameworks instilled in us from birth by our immediate environment and society? These limiting beliefs are a...

This painting presents a richly textured abstract composition dominated by shades of blue and metallic silver. It evokes the sensation of light reflecting on moving water or a rainy ...

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...

"Let Me In, Let Me Out" - Abstract Mixed Media Composition Boldly colored abstract figurative composition by California artist Elizabeth Arrington Leaf (American, B-1955). Three lar...