John Campbell Mitchell Art

Capitola, California – Original Oil on Board Seascape Painting by Jon Blanchette (circa 1955) This captivating marine seascape painting titled "Capitola, California" by Jon Blanchet...

This charming Northern California landscape painting by American artist Jon Blanchette (1908–1987) captures the serene beauty of rural life in the mid-20th century. Painted circa 195...

This original vintage oil painting, titled "Harbor Master's House, Santa Cruz, California," was created by the talented artist Jon Blanchette (1908-1987). Painted in the 1950s-1960s, this serene coastal landscape captures the beauty of Northern California, featuring iconic palm trees, charming white cottages, and the tranquil coastal setting of Santa Cruz. The painting is executed in the American Impressionist style, with soft, harmonious colors like green, blue, white, light brown, red, and beige, creating a peaceful and inviting scene. The artwork is signed by the artist in the lower right corner and titled on the verso, adding a personal touch to this stunning piece of history. Presented in a custom, dark-toned brown frame, the painting's outer dimensions are 31 x 27 x 1.125 inches, with the image size measuring 24 x 20 inches. About the Artist: Jon Blanchette was born in England in 1908 and moved to the United States with his family in 1918, settling in Battle Creek, Michigan. He studied at the Pittsburgh Art Institute before moving to Los Angeles in 1932, where he worked as a commercial artist for Fox Studios. In 1948, Blanchette made Santa Cruz, California, his permanent home, where he focused on painting and gave private art lessons. A member of the Santa Cruz Art League and the Marin County Artists, Blanchette is best known for his captivating oil paintings of Northern California landscape...

Donald Vogel was inspired by gardens throughout his painting career. Before moving to Dallas, as a student at the Art Institute of Chicago in the late 1930's, Vogel's studio was a block away from Chicago's Lincoln Park...

19th‑Century Original Oil Painting by William Dalglish (1860–1909) Nomads by the Coast – Tranquil Landscape Scene Up for sale is an original 19th‑century oil painting on canvas by W...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

signed "Hugh H. Breckenridge" at lower left

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Tuscan Landscape near Siena with Tree in the Foreground and Rolling Hills Artist: Bruno Buracchini (Sinalunga, 1912 – Siena, 1982) Medium: Oil on board Dimensions: 48.5 × 57.5 cm inc...

Discover a stunning original vintage painting by early Colorado woman artist Adma Green Kerr (1878-1949). Painted between the 1920s and 1940s, this post-impressionist scene captures ...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...