John Piper: 'Nursery Frieze II' lithograph
By John Piper
Located in London, GB
To see our other Modern British Art (including many other John Piper prints), scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a m...
Lithograph
John Piper, Exeter College, Oxford (1977) Screenprint Modern British Art
By John Piper
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Piper (1903-1992) Exeter College, Oxford Screenprint, signed in pencil 81.9 x 61.0 cm Including hand-finished, black-painted frame. One of Piper’s largest and most impressive prints, here featuring Gilbert Scott’s chapel at Exeter. It is often claimed that he based it on Paris’s Sainte Chapelle...
Screen
"Niton, Isle of Wight" original lithograph
By John Piper
Located in Henderson, NV
Medium: original lithograph. Printed in 1955 and published in New York by Curt Valentin. Sheet size: 9 1/2 x 12 1/4 inches (244 x 312 mm). Not signed.
Lithograph
Eye and Camera, Red Blue and Yellow by John Piper abstracted nude screenprint
By John Piper
Located in New York, NY
This print is based on photographs of Piper's wife, Myfanwy Evans, exploring themes of seeing and recording images. This work is from a series of prints entitled Eye and Camera creat...
Screen
$3,397
'Winter from the Seasons', John Piper, 1981, numbered, signed, inscribed etching
By John Piper
Located in Petworth, West Sussex
John Piper (British 1903-1992) Winter from the Seasons (1981) Coloured etching and aquatint Numbered and signed ‘22/100 John Piper’ in pencil (under the plate) 25 x 21.5/8 in. (63.5 ...
Etching
'Spring from the Seasons', John Piper, 1981, signed and inscribed etching
By John Piper
Located in Petworth, West Sussex
John Piper was one of the most versatile British artists of the twentieth century: painter, printmaker, stage designer, writer and designer of stained glass. Born in Epsom, Surrey, h...
Etching
"Figures from a Seal" original aquatint
By John Piper
Located in Henderson, NV
Medium: original etching and aquatint. Printed in 1955 and published in New York by Curt Valentin. Plate size: 8 1/4 x 6 1/8 inches (212 x 156 mm). Sheet size: 12 x 9 3/8 inches (307...
Etching, Aquatint
Metropole Hotel from West Pier, from Brighton Aquatint by John Piper, 1939
By John Piper
Located in Kingsclere, GB
Metropole Hotel from West Pier, from Brighton Aquatint by John Piper, 1939 Additional information: Medium: etching with aquatint 30 x 38 cm 11 3/4 x 15 in John Piper was a painter of architecture, landscape and abstract compositions, a designer for the theatre and of stained-glass windows, and a writer on the arts. Piper was born in 1903 in Epsom, Surrey, the son of a solicitor. Throughout his childhood, he regularly visited Italy, and by 1924 he had published a book of poems and his own illustrations. He worked in his father's office in Westminster until 1928 when he began studying at the Richmond and Kingston Schools of Art. This was followed by two years study at the Royal College of Art. In 1927 he exhibited with David Birch at the Arlington gallery, and in 1931 with Clarice Moffat, P. F. Millard, and his first wife Eileen Holding...
Etching
$1,685Sale Price|20% Off
Eye and Camera, Red, Blue and Yellow
By John Piper
Located in London, GB
A striking piece by Piper also presented in the Tate collection. This print is one of an extensive series titled ‘Eye and Camera’, the first of which were made in 1967. For these prints, which are distinctly different from his topographical work, Piper uses photographic images fragmented and collaged, and juxtaposed with drawing. This is a signed original screenprint from the Kelpra/Tate Gallery portfolio of seven prints published in 1980 in an edition of 150, to celebrate the Kelpra Studio Exhibition at the Tate Gallery. The other artists were Patrick Caulfield, Gordon House, R.B. Kitaj, Victor Pasmore, John Piper, Joe Tilson and Gerd Winner...
Paper, Screen
$1,073
John Piper, Eye and Camera: Red, Blue and Yellow, Screenprint Modern British Art
By John Piper
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Screen
Price Upon Request
Nursery Frieze II by John Piper, 1936
By John Piper
Located in Kingsclere, GB
Nursery Frieze II by John Piper, 1936 Additional information: Medium: lithograph 45.7 x 119.4 cm 18 x 47 in signed and dated John Piper was a painter of architecture, landscape and abstract compositions, a designer for the theatre and of stained-glass windows, and a writer on the arts. Piper was born in 1903 in Epsom, Surrey, the son of a solicitor. Throughout his childhood, he regularly visited Italy, and by 1924 he had published a book of poems and his own illustrations. He worked in his father's office in Westminster until 1928 when he began studying at the Richmond and Kingston Schools of Art. This was followed by two years study at the Royal College of Art. In 1927 he exhibited with David Birch at the Arlington gallery, and in 1931 with Clarice Moffat, P. F. Millard, and his first wife Eileen...
Lithograph
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Etching
$880
H 28 in W 84 in
Pool Patterns, Nautical Abstract Seascape Triptych, Blue Cyanotype Print
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Edition Size: only 20 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...
Lithograph
La Catedral de San Juan, Puerto Rico
Located in Tulsa, OK
The artwork is an vintage architectural lithograph/screenprint depicting "La Catedral de San Juan, Puerto Rico" (Catedral Metropolitana de San Juan Bautista in Old San Juan). It show...
Screen
$550
H 5 in W 7 in
Ranchos Church Screen Print, American Modern, Circa 1940s, Signed
By Anna Barry
Located in Fairlawn, OH
Ranchos Church Screen print, Late 1940's Signed lower right (see photo) Titled lower left (see photo) Edition: Unknown This image depicts the famous church San Francisco de Asis Mission Church in Ranchos de Taos. It was built between 1772 and 1816. It was importailized in American Art History by Georgia O'Keefe and Ansel Adams. Condition: Excellent Image size: 5 x 7 inches Sheet size: 6 x 8 3/8 inches Anna Barry (1970-2001) “In 1944, after several prior trips to the area during which they had become friends with several of the Taos Founders, Ira and his wife, the artist Anna Barry moved to Taos, New Mexico. They would reside in the area on and off until 1955. Like many others, Moskowitz was entranced by New Mexico's light, landscapes, and cultures. By the time Ira arrived there, the region had already attracted Georgia O'Keeffe, Robert Henri, and Leon Gaspard; the Southwest was starting to be recognized as an art center. Moskowitz and his wife became acquainted with Oscar Berninghaus, Andrew Dasburg, Ernest Blumenschein, and Mabel Dodge Lujan, among others. Ira wrote of that time that "Our house was always open and we had scarcely a single meal without visitors dropping in." "Anna Barry was an artist/printmaker. She married Ira Moskowitz (from a long line of Polish rabbinical leaders) in New York in 1938. They soon visited Taos and Santa Fe in New Mexico, returning there for extended periods until in 1944 they moved there permanently—staying until 1949 when they returned to New York. Her work in New Mexico depicts mostly the pueblos and their people, capturing ritual ceremonial dances in colorful serigraph prints and other artworks. She and Ira (also an artist) worked closely together during their New Mexico sojourns. The pueblos seemed their favored subjects there. She signed her New Mexico work as, "Anna Barry." Her prints are colorful and often detailed. The only ones I have seen (6 in all) were 5"x7" in size. Anna probably lived longest in New York, but perhaps was also in both Europe and Israel for extended periods. (See the AskART Ira Moskowitz biography.)" Courtesy of Fred McCraw Anna Barry (née Anna Barshefsky), painter, printmaker and teacher, was born to Russian émigrés Max and Ida Goldberg Barshefsky on 20 May 1909 in Philadelphia, Pennsylvania. In the 1930 U.S. Federal Census her family name is changed to Barish and they are listed as living in Bronx, New York. It is not yet known where she had formal art training but she was listed as a teacher on the 1940 U.S. Census. She married artist Ira Moskowitz on 13 November 1938 and they began frequenting New Mexico. They befriended such luminaries as Mabel Dodge Lujan, Georgia O’Keeffe, Oscar Berninghaus, and many others who had become attracted to the unique landscape. Barry and Moskowitz moved to Taos, New Mexico in 1944 and remained until 1949 when they returned to New York. One can’t help but wonder if Anna Barry studied with serigrapher/painter Louie Ewing...
Screen
$500
H 5 in W 6.75 in
Taos Pueblo Screen Print, American Modern, Signed, Circa 1940s
By Anna Barry
Located in Fairlawn, OH
Taos Pueblo Screen print, late 1940's Signed in pencil lower right (see photo) Titled in pencil lower left (see photo) Edition: Unknown Clasic depiction of Ranchos de Taos, the oldest continually inhabited city in North America. Condition: Excellent Image size: 5 x 6 3/4 inches Sheet size: 6 1/4 x 7 5/16 inches Anna Barry (1970-2001) “In 1944, after several prior trips to the area during which they had become friends with several of the Taos Founders, Ira and his wife, the artist Anna Barry moved to Taos, New Mexico. They would reside in the area on and off until 1955. Like many others, Moskowitz was entranced by New Mexico's light, landscapes, and cultures. By the time Ira arrived there, the region had already attracted Georgia O'Keeffe, Robert Henri, and Leon Gaspard; the Southwest was starting to be recognized as an art center. Moskowitz and his wife became acquainted with Oscar Berninghaus, Andrew Dasburg, Ernest Blumenschein, and Mabel Dodge Lujan, among others. Ira wrote of that time that "Our house was always open and we had scarcely a single meal without visitors dropping in." "Anna Barry was an artist/printmaker. She married Ira Moskowitz (from a long line of Polish rabbinical leaders) in New York in 1938. They soon visited Taos and Santa Fe in New Mexico, returning there for extended periods until in 1944 they moved there permanently—staying until 1949 when they returned to New York. Her work in New Mexico depicts mostly the pueblos and their people, capturing ritual ceremonial dances in colorful serigraph prints and other artworks. She and Ira (also an artist) worked closely together during their New Mexico sojourns. The pueblos seemed their favored subjects there. She signed her New Mexico work as, "Anna Barry." Her prints are colorful and often detailed. The only ones I have seen (6 in all) were 5"x7" in size. Anna probably lived longest in New York, but perhaps was also in both Europe and Israel for extended periods. (See the AskART Ira Moskowitz biography.)" Courtesy of Fred McCraw "Anna Barry (née Anna Barshefsky), painter, printmaker and teacher, was born to Russian émigrés Max and Ida Goldberg Barshefsky on 20 May 1909 in Philadelphia, Pennsylvania. In the 1930 U.S. Federal Census her family name is changed to Barish and they are listed as living in Bronx, New York. It is not yet known where she had formal art training but she was listed as a teacher on the 1940 U.S. Census. She married artist Ira Moskowitz on 13 November 1938 and they began frequenting New Mexico. They befriended such luminaries as Mabel Dodge Lujan, Georgia O’Keeffe, Oscar Berninghaus, and many others who had become attracted to the unique landscape. Barry and Moskowitz moved to Taos, New Mexico in 1944 and remained until 1949 when they returned to New York. One can’t help but wonder if Anna Barry studied with serigrapher/painter Louie Ewing...
Screen
$1,290
H 12.01 in W 8.67 in D 0.79 in
Mick Jagger X - Andy Warhol, Announcement card, Rolling Stones, Musician, Pop
By (after) Andy Warhol
Located in Knowle Lane, Cranleigh
Mick Jagger X - After Andy Warhol. This black and white colour scheme lithographic print features - Mick Jagger - an iconic rock legend who was the frontman and one of the founders ...
Lithograph
Sailboat, Screen Print by Fran Bull
By Fran Bull
Located in Long Island City, NY
Fran Bull's unique rendering of a sailboat sailing along a coastline is infused with charm and originality. Sailboat by Fran Bull, (1938 - ) Date: 1980 Medium: Screenprint, signed ...
Screen
$20,000
H 53.75 in W 48 in D 2.5 in
Signed Jasper Johns 'The Seasons', 38/50 Print, Framed 53.75 x 48
By Jasper Johns
Located in Brooklyn, NY
"The Seasons" is a compelling artwork by Jasper Johns that delves into artifacts and seasonal symbols to represent the epochs of life and the cycles of growth and aging. This piece, ...
Etching
Alex Katz Bicycle Rider Signed Lithograph Edition of 250
By Alex Katz
Located in Minneapolis, MN
Artist: Alex Katz (American, b. 1927) Title: Bicycle Rider Medium: Seventeen-color Lithograph on Arches Cover Paper Year: 1982 Sheet Size: 22 x 30 inches (55.9 x 76.2 cm) Edition: 4/...
Paper, Lithograph
1895 Cycles Clément Paris lithographic poster
By Charles Tichon
Located in Santa Monica, CA
Rare and beautifully framed authentic 1895 Cycles Clément Paris lithographic poster featuring a stylized cyclist portrait and bold Art Nouveau typography, complete with certificate o...
Lithograph
$16,500
H 29 in W 29 in
Ellsworth Kelly Black Variation III Lithograph Limited Edition of 25
By Ellsworth Kelly
Located in Minneapolis, MN
Artist: Ellsworth Kelly Title: Black Variation III Medium: Lithograph with Intaglio on Rives Paper Year: 1975 Image Size: 29" x 29" Sheet Size: 39.75" x 39" Edition: A.P. IX/XI , (as...
Paper, Lithograph
$12,500
H 30 in W 22 in
Jacob Lawrence Celebration of Heritage 1992 Signed Lithograph in Colors
By Jacob Lawrence
Located in Minneapolis, MN
Artist: Jacob Lawrence Title: Celebration of Heritage Medium: Lithograph in Colors Dimensions: 30" x 22" Year: 1992 Edition: 71/150 Inscription: Signed, titled, dated, and numbered t...
Lithograph
$850
H 17.75 in W 16 in
The Enchantress in her Garden David Hockney Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...
Etching, Aquatint
$675
H 40 in W 26.5 in D 0.2 in
Original Continental Airlines limited edition travel poster
Located in Spokane, WA
Original Continental Airlines travel poster. Linen backed in fine condition. Signed and numbered 35/50. This original Continental Airlines poster artistically represents regional destinations prominently served by Continental Airlines in the past. The design is modern and bold, showcasing a unique black-and-white theme with strong, futuristic typography and graphical illustrations. Each city is creatively depicted using stylized imagery that resonates with its character—Oklahoma City features a cowboy motif, New Orleans embraces a jazzy, cultural essence, Dallas reflects the energy of movement, and Midland/Odessa highlights industrial and oil-centric themes. This limited-edition poster is printed in black and white. It features Oklahoma City, New Orleans, Dallas, and Midland / Odessa destinations. Above each name is a design that represents each destination city. Oklahoma City has rodeo horseback riding. New Orleans has steamships, Dallas has football players, and Midland has large oil tanker trucks. This image features the Saul Bass l967 Continental logo in the design. Continental Airlines was a major United States airline founded in 1934 and eventually headquartered in Houston, Texas. The airline was acquired by UAL Corporation, the parent company of United Airlines, on October 1, 2010. This is an original vintage Continental Airlines poster...
Screen
Marc Chagall - For *Derrière le Miroir*
By Marc Chagall
Located in Wien, Wien
Marc Chagall Vitebsk 1887 – 1985 Saint Paul de Vence LA DANSE 1951 For *Derrière le Miroir* Color lithograph on paper, 37 x 28 cm Signed in pencil lower right Artist’s proof, marked...
Lithograph
"Eye and Camera: Blue and Red"
By John Piper
Located in Astoria, NY
John Egerton Christmas Piper, C.H. (British, 1903-1992), "Eye and Camera: Blue and Red", Serigraph in Colors on Paper, circa 1975, marked "A/P" lower left and signed in pencil lower ...
Paper, Screen
"Bullslaughter Bay, Pembrokeshire" original lithograph
By John Piper
Located in Henderson, NV
Medium: original lithograph. Printed in 1955 and published in New York by Curt Valentin. Sheet size: 12 1/4 x 9 1/2 inches (312 x 244 mm). Not signed.
Lithograph
"Bullslaughter Bay, Pembrokeshire" original lithograph
By John Piper
Located in Henderson, NV
Medium: original lithograph. Printed in 1955 and published in New York by Curt Valentin. Sheet size: 12 1/4 x 9 1/2 inches (312 x 244 mm). Not signed.
Lithograph
Sold
H 16.93 in W 25.2 in
John Piper, 'Moutou' (1968) silkscreen print, Modern British Art France
By John Piper
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Screen
Sold
H 20.48 in W 28.35 in
John Piper, Wightwick Manor, Screenprint Modern British Art Victorian Dream
By John Piper
Located in London, GB
John Piper C.H. (British 1903-1992) Wightwick Manor (Levinson 274) 400 x 540 mm Screenprint in colours, 1977, on Arches, signed and numbered 18/75 in pencil, printed by Kelpra Studi...
Screen
Sold
H 28.55 in W 20.67 in D 0.04 in
Saints - Original Lithograph by John Piper - 1975
By John Piper
Located in Roma, IT
Saints is an original lithograph on paper, realized by John Piper. The state of preservation of the artwork is good. Hand-signed on the lower right margin. Image Dimensions: 57 x ...
Lithograph
Sold
H 19.69 in W 49.22 in
John Piper, Nursery Frieze I, Lithograph Modern British Art Surrealist Beach
By John Piper
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Lithograph