John Postle Heseltine Prints and Multiples

ARMAN Fernandez Violon skeleton (1979) Drypoint etching Arches vellum c. 23 x 15" REFERENCES : Field Arman catalog raisonne of prints - Otmezguine / Moreau #248g INFORMATION :...

Original Etching. "Portrait du Peintre A. Guillaumin au Pendu" by Paul Cézanne (French, Aix-en-Provence 1839-1906). Etching on archival paper, 1873. A good impression of the rare Fir...

Charles Donker Leusderheide 24 x 34 (Framed included in price, 46,5 x 54,5 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and ...

Etching realized by Paolo Mascagni and Antonio Serantoni in the first years of 19th Century, and published in 1810. Plate 4 from "Studi di Anatomia", realized under the supervision ...

Salvador DALI Le combat avec le Morhoult ("The fight avec Morhoult") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching...

Mily POSSOZ (1888-1967) Serenity, 1930 Original etching Handsigned in pencil by the artist Numbered / 25 copies Blind stamp of the editor Marcel Guiot (Paris) On vellum 28 x 19 cm (...

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

André Masson, French (1896 -1987) - La montagne Sainte-Victoire, Year: 1947, Medium: Etching, signed and numbered in pencil, Edition: 10/20, Image Size: 8 x 9.75 inches, Size: 1...

Etching on paper, hand signed and numbered in pencil. Edition of 90. Very good condition.

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Hero Hanging and Nest is an original artwork realized in 1972 by the italian Contemporary artist Leo Guida (1992 - 2017). Original black and white etching on ivory-colored cardb...

A very good impression of this etching and aquatint on Japon nacré. Schwarz's state a (of c). The deluxe edition of 30 on Japon nacré, aside from the edition of 150. Signed and numbe...