Joseph Csaky Figurative Sculptures

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Grand Tour Fine Group of Sculpture in Bronze after a Louvre Diana of Versailles or Artemis, Goddess of the Hunt. Diana is represented at the hunt,...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Grand Tour Fine Group of Sculpture in Bronze after a Louvre Diana of Versailles or Artemis, Goddess of the Hunt. Diana is represented at the hunt, hastening forward, as if in pursui...

Jorge Seguí Falsos Heroes en Caballos Míticos, 2010-13 Bronze, Edition 1/7 110 x 71 x 70 cm 43.3 x 27.9 x 27.5 in. Signed and Numbered. Jorge Seguí b. 19...

One of the first sculptures Caroline made after her second child was born. Her children and her often used to sit in this position when they were small. They both used to want to sit on her lap at the same time, so sat on one knee each. Caroline Russell...

Europe & Zeus (divine love) Europa the daughter of the Phoenician king of Tyre, Agenor and Zeus in love in the shape of the bull. Bronze, on onyx pedestal Signed: Bruno Zach

Kestrel, Limited edition Cast Bronze by Paul Harvey This is an edition of 12 Cast by the Pangolin foundry, one of the best foundries in Europe, they are meticulous in every detail ...

Jorge Seguí Ilusion silla, 2000 Bronze, Edition of 7 78 x 90 x 33 cm 30.7 x 35.4 x 12.9 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He atte...

Caroline started this sculpture when pregnant with her first child. She found becoming a mother an incredibly inspiring experience and wanted to reflect on the real privilege it was to watch her children grow and develop. This sculpture is available in an edition of 5 in foundry bronze. Caroline Russell...

Ferdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) Signed at the lower right of the principal relief: F. BARBEDIENNE Provenance: Private Collection, USA. Barbedienne’s “Gates of Paradise” reliefs are one of the triumphs of nineteenth-century bronze casting and patination. The nine panels that comprise our example are half-size reductions of the famous originals by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. Mounted in an impressive, mullioned frame surround, our work is an exceptional exemplar of the Renaissance Revival, the broadly influential style and movement that infused architecture, design, and artistic culture in the latter half of the nineteenth century. The central scene, The Story of Joseph, is perhaps the most celebrated of the entire series depicting as it does seven episodes from the Biblical narrative integrated into a single composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Three complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...

Bronze art deco ram sculpture by Paul A. Lobel from the RKO Roxy Theater, Rockefeller Center, New York. Hand wrought. Provenance: RKO, Roxy Center Theatre; Mr. Eugene Lee Schoen; Mr. Neal Prince & Mr. Herbert Wade Hemphill Jr.; Mr. Neal Prince; The Trust of the above; Heritage Auctions. Presented by Joseph Dasta Antiques Paul Lobel (1899 - 1983): The accomplishments of Paul A. Lobel, industrial designer, metalsmith, sculptor and cartoonist/illustrator, may be viewed as the quintessential American success story. Born in Romania, at the turn of the century, he emigrated to the United States while an infant, and, from humble beginnings on Manhattan’s Lower East Side, grew up to attain a one-man show in Paris in 1925, win two awards at the International Exposition of Decorative Arts in Paris in 1932, be the subject of two exhibitions at the American Museum of Art and The Museum of Modern Art in New York City. He also founded an innovative jewelry and metals studio/shop in New York’s Greenwich Village. Furthermore, his contemporaries regarded him with awe and almost everything he attempted came to fruition. In the summer of 1926 Lobel exhibited 35 works, including drawings, etchings, paintings, metalwork and sculpture, in a one-man show at the Grande Librairie Universelle in Paris. During the next year, he toured London, Rome, Florence, Rotterdam, Brussels and Berlin, then, broke, returned to America where he again rented desk space and tried to resume his advertising career. But he was haunted by the modern design that he had been exposed to in Paris. So, after borrowing money to open a metalwork studio on Lexington Avenue, he sought out architect Eugene Schoen, an enthusiast of modern design, whom he had formerly been introduced to by Boardman Robinson. Schoen was in the process of opening a gallery devoted to showing the work of designers and craftsmen imbued with the spirit of modernism...