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Fernandez ArmanColère de Violon1966
1966
$90,191.95
£65,649.73
€75,000
CA$122,760.35
A$137,315.17
CHF 71,459.62
MX$1,690,396.55
NOK 909,114.47
SEK 852,928.58
DKK 570,766.31
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About the Item
Unique.
Signed and dated -66 on the right side.
Provenance: Galerie Bonnier, Genève
Size with socle: 74x38x17 cm
Arman explores reality. He strives to transform and sublimate artefacts into works of art. Everyday objects become poetry for the eye. Forks, women’s shoes, credit cards, bottle caps and revolvers. Cast, welded together or enclosed in plexiglass “vitrines”, these things are metamorphosed into a form of art that he calls “accumulations”.
Starting in the late 1950s, Arman immersed himself whole-heartedly in these inventories of reality until he passed away in 2005. He collected and amalgamated piles of junk, pens, paint tubes, rubber stamps and much else. These accumulations became his hallmark, just as much as the sliced, burnt and sawn objects of his “tantrums”, ranging from violins and Roman gods to veteran motorbikes and telephones. Arman’s sculptures lent new dimensions to objects that already were perfect as they were.
Armand Pierre Fernandez was born in Nice in November 1928. He developed his passion for artefacts in his father’s antique shop. At the age of 18, he studied at the Nice Academy of Art, but left three years later in protest against the conservative leadership. Now he set out on his own path, began to paint in earnest and, under the influence of Pollock, Schwitters and Duchamp, evolved his own idiosyncratic language of form and ideas.
Initially, in the late 1950s, he painted abstract motifs. Then he turned his talents to sculpture, which in turn led to his breakthrough. After a catalogue entry at the legendary Galerie Iris Clert accidentally omitted the final ‘d’ from the artist’s name, he resolved that from that time on, he would sign his works simply ‘Arman’.
When Yves Klein met Arman at a judo course in the autumn of 1949, there immediately arose a close affinity between the two men, who subsequently divided the world between them. Yves assumed responsibility for the spiritual world, Arman for the material. In 1960 they joined with César, Pierre Restany, Niki de Saint Phalle, Jean Tinguely and Rotella, among others, to form the Nouveaux Réalistes.
This was also the year when Arman put together his much noticed show titled Plein (“Full up”), a neo•realist exhibition at Galerie Iris Clert. The installation consisted of a monumental heap of junk – trash piled from floor to ceiling in a manner reminiscent of Raymond Hains’ collage Slum Sculptures.
Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Bergström nearly twenty years ago. The words are his own. The book is a tender homage to music and expresses the artist’s predilection for the tones of violin, cello and double bass. Lyrically orchestrated poems are conflated with ingenious detail images: multi-coloured violins and a delicately painted cello are but two of the motifs drawn against the straight lines of the score.
The first steps towards collaboration with GKM Siwert Bergström came with an exhibition in Malmö, when Arman staged a “happening” in Malmö Concert Hall. This was followed by several exhibitions in Malmö, at the Stockholm Art Fair, at FIAC in Paris and at the Glyptoteket in Copenhagen. Contacts with GKM subsequently led to an exhibition of Arman’s works at the Lund Konsthall gallery with the support of Marianne Nanne-Bråhammar. This also included a happening.
Arman died in October 2005 at the age of 76. For the last 30 years of his life he maintained two homes and studios, in New York and in Vence, in the south of France.
His works featured in a total of almost 500 separate exhibitions during his lifetime. In addition to being well represented in museums around the world, he also created several works of art for public spaces, ranging from welded shopping carts, to clocks, double basses and cars stacked on top of each other. Among his best known are Hope for Peace in Beirut, À la République in the Elysée Palace in Paris, L’heure de tous and Consigne de vie outside Saint Lazare railway station in Paris.
There is something animated in Arman’s work – a provocation, a challenge, an inner power in the things in which his art resides – that links the past to our own age, and casts the soul and the body as one.
- Creator:Fernandez Arman (1928-2005, French)
- Creation Year:1966
- Dimensions:Height: 27.56 in (70 cm)Width: 11.42 in (29 cm)Depth: 3.15 in (8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Malmo, SE
- Reference Number:1stDibs: LU3284815811
Fernandez Arman
Arman (civil name Armand Pierre Fernandez, 1928 - 2005) was a French-US-American object artist and co-founder of Nouveau Réalisme - a style that took up ideas from Dadaism and is therefore also called Neo-Dadaism. Real objects from everyday life are declared Ready-Mades, so that found objects and rubbish are arranged into assemblages, accumulations and collages. He became artist friends with Yves Klein and Claude Pascal and was also artistically influenced by the work of the German Dadaist Kurt Schwitters and by his encounter with the art critic Pierre Restany, who later became the theoretician of Nouveau Réalisme. After a trip to Europe in 1947, attended the École des Arts Décoratifs in Paris. From 1949 he changed to the École du Louvre
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Free shipment worldwide.
Foundry Bocquel.
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Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Bergström nearly twenty years ago. The words are his own. The book is a tender homage to music and expresses the artist’s predilection for the tones of violin, cello and double bass. Lyrically orchestrated poems are conflated with ingenious detail images: multi-coloured violins and a delicately painted cello are but two of the motifs drawn against the straight lines of the score.
The first steps towards collaboration with GKM Siwert Bergström came with an exhibition in Malmö, when Arman staged a “happening” in Malmö Concert Hall. This was followed by several exhibitions in Malmö, at the Stockholm Art...
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By Fernandez Arman
Located in Malmo, SE
Publisher GKM.
Unframed.
Edition of 120 ex.
Signed and numbered.
Free shipment worldwide.
Arman explores reality. He strives to transform and sublimate artefacts into works of art. ...
Category
1990s Contemporary Figurative Prints
Materials
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Melody for Strings II
By Fernandez Arman
Located in Malmo, SE
Publisher GKM.
Unframed.
Edition of 120 ex.
Signed and numbered.
Free shipment worldwide.
Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio ...
Category
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Materials
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Arman is a painter who moved from using objects for the ink or paint traces they leave to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects. In October 1960, Arman, Yves Klein, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé, and art critic and philosopher Pierre Restany founded the Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the group of young artists defined themselves as bearing in common their "new perspective approaches of reality." They were reassessing the concept of art and the artist for a 20th century consumer society by reasserting the humanistic ideals in the face of Industrial Expansion.
In 1961, Arman made his debut in the United States, the country which was to become his second home. During this period, he explored creation via destruction. The "Coupes" and the "Colères" featured sliced, burned, or smashed objects arranged on canvas, often using objects with a strong "identity" such as musical instruments (mainly violins and saxophones) or bronze statues.
The son of an antiques dealer and amateur cellist, the artist absorbed an intense appreciation for music, the art of collecting and the cultivation of discriminating taste from an early age. After studies at the Ecole Nationale des Arts Décoratifs in Nice, Arman decamped to Paris to study art history at the Ecole du Louvre. His work in these early years focused on abstract paintings inspired by the work of Nicolas de Staël. An avid reader, Arman sought inspiration through books and art reviews, as well as during frequent road trips throughout Europe with his artist friends from Nice, Claude Pascale and Yves Klein.
1972
Arman, Paris, Fernand Hazan, collection "Ateliers d'aujourd'hui"
Otto Hahn
1973
Arman, New-York, Harry N. Abrams
French Edition : Pierre Horay, with text by Pierre Restany.
Henry Martin
1982
Arman: Conscious Vandalism / Vandalismo cosciente, Vérone, Edizioni Factotum-Art
Sarenco
1984
Arman, New-York, Abbeville Press
Jan Van der Marck
The Public Sculpture of Arman, New-York, Marisa del Re Gallery
Frederic Ted Castle
Arman, Galerie Beaubourg, reprinted from the journal CiMayse, Paris, no. 170, May-July 1984.
"Accumulations by Arman", Art in America, New-York, vol. 71, no. 11, December 1983.
Frederic Ted Castle
1987
Arman, Paris, La Différence
Bernard LaMarche-Vadel
1988
Arman. 13 peintures / Arthur Rimbaud. Lettres du Voyant, Paris, La différence, collection "Tels qu'en eux-mêmes" (livre publié à l'occasion de l'exposition "Arman. Peintures 87-88", Galerie Beaubourg, Paris, 1988).
Jan Van der Marck
1990
Arman Estampes, Paris, Editions Marval
Jane Otmezguine, Corice Canton Arman and Marc Moreau
1991
Arman, Catalogue raisonné II, Paris, La Différence
Denyse Durand-Ruel
1992
Mémoires accumulés d'Arman, Paris, Belfond
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1993
Arman, Paris, La Différence, collection "Classiques du XXIème siècle"
Pierre Cabane
1994
Arman, Catalogue raisonné III, Paris, La Différence
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2004
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Tita Reut
EXHIBITION CATALOGS
1959
Piccolo gioco administrativo del caso, Arman, Pierre Restany, Milan, Galleria Apollinaire
1960
À toute allure, Arman. Allures d'objets, Pierre Restany, Paris, Gallerie Saint-GerMayn
1962
Arman et la logique formelle de l'objet, Arman, Pierre Restany, Los Angeles, Dwan Gallery
1963
Arman, Arman, Alain Jouffroy, Milan, Galleria Schwarz
1964
Introduction à la peinture d'Arman , Arman, Claude Pascal. Amsterdam, Stedelijk Museum
1964
Arman, Yves Klein, Amsterdam, Stedelijk Museum
Arman and Esthetic Change, Arman, Gene R. Swenson, New-York, Sidney Janis Gallery
1965
Arman, Paul Wember, Krefeld, Museum Haus Lange
1967
Arman: un acte de foi dans la spiritualité de la matière , Arman, Pierre Restany, Paris, Galerie Illeana Sonnabend
1968
Arman, John Ashbery, New York, Sidney Janis Gallery
Arman, Pierre Restany, Milan, Galleria Schwarz
1969
Arman 1960-1965, Grégoire Müller, Paris, Galerie Mathias Fels
Arman. Accumulations Renault, François Mathey, Paris, Union centrale des Arts décoratifs
1970
Arman Accumulations Renault, Karl-Heinz Hering, Zurich, Kunsthaus
Arman piu' pittore che natura, Arman, Pierre Restany, Milan, Galleria dell'Ariete
1972
Objets de luxe et fétiches raisonnables, Arman, Pierre Restany, Milan, Galleria Arte Borgogna
Arman : Les Moments d'Arman, Jacques Putman, Paris, Galerie de l'Œil
1973
Selected Activities, Peter Schjedahl, New-York, John Gibson Gallery
Oggetti di lusso e feticci ragionevoli, Arman, Pierre Restany, Galleria Arte Borgogna
Arman: An Archeologist of the Present, Arman. Jan Van der Marck, New-York, John Gibson Gallery
1974
Le juste poids d'un homme et d'une œuvre, Arman, Pierre Restany, Arles, Salles romanes du Cloître Saint-Trophime
Logician of Form / Magician of Gesture , Arman. Selected Works : 1958-1974, Jan Van der Marck, La Jolla, La Jolla Museum of Contemporary Art Arman. Concrete Lyrics, Andrew J. Crispo, New York, Andrew Crispo Gallery
Arman et la logique formelle de l'objet , Arman, L'Œuvre graphique, Pierre Restany, Saint-Paul-de-Vence, Galerie Alexandre de La Salle
1975
Arman, Objets armés, 1971-1974, Jacques Lassaigne, Paris, Musée d'Art Moderne de la ville de Paris
Arman. Lyrical Surfaces, Andrew J. Crispo, New York, Andrew Crispo Gallery
Arman's Violin-Service, A Game of Correspondances , Arman, Violin-Service, Pierre Restany, Paris, Galerie Claude Tchou
Arman, Surgeon of the Mass-Productive Civilization, Arman, Yoshiaki Tôno, Nagoya, Galerie Valeur
1978
Arman. Hard & Soft, Jan Van der Marck, New-York, Andrew Crispo Gallery
The Iron Age and its Monuments, Arman. L’Age de fer et ses monuments, Daniel Abadie, Paris, Galerie Beaubourg
Accumulations : Radiant and Wretched, Arman. Accumulations, Shunkichi Baba, Nagoya, Galerie Valeur
1980
Petite histoire du collage et de l’assemblage , Arman. Sélection rétrospective, Otto Hahn, Cluse, Centre d’Art et de Culture de Flaine
Arman, Sélection rétrospective, Pierre Restany, Cluses, Centre d'Art et de Culture de Flaine
Zucche in carroze, Arman, Jan Van der Marck, Portofino, Galleria Civica d'Arte Moderna
1981
Arman : uno sguardo sempre nuovo sul mondo , Arman. Opere del 1979, Pierre Restany, Rome, Le Point Art Studio
1982
Fünfundszwanzig Jahre als Erfolg / Vingt-cinq ans de bonheur , Arman, Parade der Objeckte, Retrospektive 1955 bis 1982, Pierre Restany, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel
Arman. Le Traité du violon, Maurice Roche, Paris, Galerie Abel Rambert
Arman , Arman. Carvings and Drawings, Otto Hahn, Dublin, The Salomon Gallery
Arman. Papiers découpés 1982, Ted Castle, Paris, Galerie Beaubourg
Arman Retrospektiv , Arman. Parade der Objekte, Retrospektive 1955 bis 1982, Joachim Büchner et Bernhard Holeczeck, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel
Arman o l'oggetto come alfabeto , Arman o l'oggetto come alfabeto, Walter Schönenberg, Lugano, Museo Civico di Belli Arti
1984
Vinticinque anni di felicità , in Arman o l'oggetto come alfabeto, Pierre Restany, Lugano, Museo Civico di Belle Arti
L’allure d’Arman , Arman, Daniel Abadie, Knokke le Zoute, Christian Fayt Art Gallery
Arman’s Apocalypse, Arman. The Day After, Sam Hunter, New York, Marisa del Re Gallery
A la recherche du concert perdu , Arman. Recent Sculptures, Michel Butor, Monte Carlo, Galerie Le Point
Arman, scultore del'réalisme sociétal , Arman o l'oggetto come alfabeto, André Verdet, Parme, Palazzetto Eucherio Santivale
1985
Un délire spiralé d'Arman , Arman, André Verdet, Zurich, Schöner Wohnen Haus Galerie
Transformation of Things, Arman, Mashashi Miura, Seoul, Walker Hill Art Center
A la recherche du concert perdu, Arman, Michel Butor, Genève, Galerie Sonia Zannettacci
Le jour après la colère, Arman, François Bazzoli, Toulon, Musée de Toulon
Arman, Claude Fournet, Toulon, Musée de Toulon
Arman Retrospektive, Adolph Hanspeter, Zurich, Galerie Pavillon Werd
1986
Arman’s Gods and Goddesses , Arman. Gods and Goddesses, Henry Geldzahler, New York, Marisa del Re Gallery
Arman: Hard & Soft Ware, Arman. Hard & Soft Ware, Pierre Restany, Paris, Courrèges
1987
Arman. Rythmes et Couleurs, Claude Fournet. Nice, Galerie Ferrero
1988
Opéras – rituels , Arman. Désordres lyriques, Georges Aperghis. Paris, Opéra de Paris, Salle Favard
Désordres lyriques, Arman. Michel Beretti, Paris, Opéra de Paris, Salle Favard
Arman as a Painter: From Guts to Geist, Arman Paintings, Pierre Restany, New-York, Marisa del Re Gallery
1989
La seconde parade des objets , Arman Retrospektiv, Pierre Restany, Lunds, Lunds Kunsthall, Malmö, Galleri GKM
Arman. Shooting Colors, Pierre Restany, Paris, Galerie Beaubourg
Le montreur , Arman. Works 1955-1989, Jeffrey Robinson, Londres, The Mayor Gallery
Arman Sculpteur Designer, Jeffrey Robinson, Roanne, Galerie La Taille Douce
Arman. A Retrospective, Manuela Rossi, Seoul, Gana Art Gallery
Deux ans plus tard, Arman. Retrospektiv, Siwert Bergström, Lunds, Lunds Konsthall, Malmö, Galleri GKM
1990
Arman's Dirty Paintings , Arman. Dirty Paintings, Donald Kuspit, New-York, Marisa del Re Gallery
Arman, Monochrome Accumulations 1986-1989, Donald Kuspit, New-York, Vrej Baghoomian Gallery
Arman: au pays de son inspiration, Dora Llipoulou-Rogan, Athènes, Galerie 3
Per Arman : un accumulo di ragioni, Arman, Manuela Rossi, Milan, Galleria Arte Borgogna
Grande Musique et Fortes Allures, Arman, Pierre Restany, Tokyo, Fuji Television Gallery
1991
Arman: A Radical Portrait of Modernity , Arman 1955-1991 : A Retrospective, Pierre Restany, Houston, The Museum of Fine Arts
Arman: Bétons 1970-1974, Catherine Francblin, Paris, Galerie Georges-Philippe Valois
Arman: An Artist of Our Time , Arman 1955-1991: A Retrospective, Allison de Lima Greene, Houston, The Museum of Fine Arts
Painting as Object Art / Oggettistica in pittura, Arman in Italy, Achille Bonito Oliva, Milan, Fondazione Mudima
Arman: a Search for Beauty, Arman in Italy, Henry Martin, Fondazione Mudima
1993
Arman. Cycles, Donald Kuspit. New York, Marisa del Re Gallery
Arman, de l’objet…à la couleur-objet , Arman, Georges Dussaule, Cagnes sur Mer, Château-Musée / Galerie Beaubourg
Association d’image, Arman, André Froumessol, Cagnes sur Mer, Château-Musée / Galerie Beaubourg
Arman, Maxime Longrée, Charleroi, Galerie Pascal Retelet
De la peinture à la fleur, Arman, Michel Santinelli, Cagnes-sur-Mer, Château-Musée / Galerie Beaubourg
1994
La Nuit étoilée et Arman, Arman. La Nuit étoilée, Isabelle Sobelman, Pierre Nahon, Vence, Galerie Beaubourg
L’elenco appunto , La ceramica di Arman, Umberto Eco, Bologne, Palazzo delle esposizioni, Edizioni Maggiore
1995
La ceramica di Arman, Henry Martin, Bologne, Palazzo delle esposizioni, Edizioni Maggiore
Arman, un homo ludens en Grèce, Arman, Manos Stefanidis, Athènes, Galerie 3
La ceramica di Arman , La ceramica di Arman, Flaminio Gualdoni, Bologne, Palazzo delle esposizioni, Edizioni Maggiore
1996
Arman. Interactives, Caroll Janis, New York, Sidney Janis Gallery
1997
Arman: Accumulations in Relation, Patrick Pacheco, Londres, James Mayor Gallery
1998
Arman, Arman. Désordres Lyriques, Bernard LaMarche-Vadel, Paris. Opéra de Paris, Salle Favart
Esthétique du dandy des gadoues , Arman. Désordres Lyriques, Michel Tournier, Paris, Opéra de Paris, Salle Favart
1998
Arman, Galerie nationale du Jeu de Paume, Paris, France
Arman, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany
Arman, Culturgest, Lisboa, PORTUGAL
Arman: Variations sur un Lénine, Galerie Patrice Trigano, Paris France
Arman: Concerto pour quatre pianos, Galerie John Gibson, November, 1999, New York United States
Arman: Nec mergitur, Galerie Piltzer, Paris, France
Arman, Tel Aviv Museum of Art, Tel Aviv, Israël
Arman, Museu de arte moderna do Rio de Janeiro, Rio de Janeiro, Brazil
Arman, Museu de Arte de Sao Paulo Assis Chateaubriand (MASP), Sao Paulo SP, Brazil
Arman: Fragmentation of Pianos, Galerie John Gibson, New York United States
2000
Arman, Museo de Monterrey, Monterrey, Mexico
Arman: Racine carrée de fragments, Galerie Daniel Templon, Paris, France
Arman, National Museum of History, Taipei, CHINA
Arman: Anatomie del Tempo, Reggio Emilia, Italy
Arman: Fragmentations, Galerie Georges-Philippe & Nathalie Vallois, Paris,
Arman: Works on Paper, Ludwig Museum, Koblenz, Germany
Arman: La Traversée des Objets, Chateau Musée de Villeneuve, Vence, France
Arman: Vingt Siècles vus par Arman, Couvent des Cordeliers, Paris, France
2001
Arman, Fundaciò “la Caixa”, Barcelone, Spain
Arman, Zürichsee Auktionen, Erlenbach, Switzerland
Arman, Galerie Belmont, Films, Switzerland
Arman: Superpositions, Guy Pieters Gallery, Knokke-le-Zoute, Belgium
Arman, Sandwich Combos, Malborough Gallery, New York, United States
Arman: En tout cas c’est de l’art, Galleria Dante, Padova, Italy
Arman: La Traversée des Objets, Palazzo delle Zitelle, Venise, Italy
Arman: Vingt Stations de l’Objet, Chantier Naval Opéra, Antibes
Arman: Works on Paper, Vila Zanders Bergisch-Gladbach, Germany
Arman: Through and Across Objects, Boca Raton, Florida, United States
Arman: Des Cycles de la Vie, Galerie Anne Lettree, LUXEMBOURG
Arman, Galeria De Arte Isabel Aninat, Santiago, CHILE
Arman, Die Galerie, Zurich, Switzerland
Arman: Vingt Siécles vus par Arman, Exposition au Chantier Naval Opera, Port Vabanantibes
Arman: Passage a L’Acte, MAMAC, Nice, France, June 14 – October 14, 2001.
2002
Arman: Musique, Kunsthaus Grenchen, Grenchen, Switzerland
Arman: Africarmania, Arman et l’Afrique, Galerie Beaubourg, Vence, France
Arman: Dix Mots Pour, Sonia Zannettachi Gallery, Switzerland
Arman: Œuvre Monumentale, Ville du Lavandou, Le Lavandou, France
Arman: Works on Paper, Villa Haiss Museum, Zell, Germany
Arman: Fragmentations, FIAC Galerie Beaubourg, Paris, France
2003
Arman: A Survey, Marlborough Gallery, New York, United States
Arman: Centomilacenerentole, Dante Vecchiato Galleria d’Arte, Padova, Italy
Arman: Arman, Museum of Contemporary Art of Teheran, Teheran, IRAN
Arman: Le plein de l’art, Galleria Fonte d’Abisso, Milano, Italy
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