Joseph-Emmanuel Zwiener Furniture

A Wonderful Late 19th Century Louis XV Style Gilt Bronze Mounted Vitrine by Joseph Zwiener Joseph Zwiener The serpentine-shaped brèche d’ alep marble top above a single centered glass door, flanked to each side by a conforming panel, the mirrored interior fitted with three adjustable glass shelves, the canted angles set with pierced foliate-cast clasps, above a bombé shaped apron, on cabriole legs with scrolled-acanthus sabots. The quality of the cabinetry and solid wood frame, along with the quality and design of the mounts, is characteristic of Zwiener’s oeuvre. Similar flower-filled cornucopia chutes can be found on other Zwiener models. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

An excellent late 19th century Louis XV style gilt bronze mounted vitrine by Joseph Zwiener Joseph Zwiener The serpentine-shaped brèche d’ alep marble top above a single center...

Empire style mahogany and ormolu king size bed by Joseph-Emmanuel Zwiener circa Last quarter of the 19th century. Fine gilded bronzes with two tones of gilding, neoclassical Empire...

An Exceptional Louis XV style French ormolu-mounted mahogany commode by Joseph-Émmanuel Zwiener, Paris, circa 1885, the bronzes designed by Léon Messagé. With original marble top,...

An exceptionally fine late 19th century Louis XVI style gilt bronze-mounted mahogany centre table By Joseph Zwiener In the manner of the 18th century model by Riesener. The rectangular marble top above a frieze drawer, raised on square tapering legs, the whole cast with masks, floral garlands, ribbons, cascading flowers and set with Jasper plaques. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

This spectacular vitrine is the product of an exceptional collaboration between Joseph-Emmanuel Zwiener and François Linke, two of the most respected and talented ébénistes of the late 19th century. Known for their elaborate interpretations of the rococo, this vitrine is hallmarked by the robust doré bronze mounts and richly grained kingwood both craftsmen employed in their imaginative works. In terms of artistry, size and condition, this vitrine serves as a testament to the incomparable skills of the finest furniture makers of the 19th century and the time-honored trade of the ébéniste. Signed ‘F. Linke.’ Circa 1890 43 1/2” wide x 17 1/2” deep x 59” high Joseph-Emmanuel Zwiener and François Linke both enjoyed successful careers as the premier Parisian cabinetmakers, or ébénistes, of the late 19th century. Their awe-inspiring works commanded the attention of the judges of the Paris Exposition Universelle, both winning gold medals for their adaptations of the complex rococo. Linke almost certainly studied under Zwiener, who was six years his elder and a fellow German speaker...

A fine quality 19th century Louis XV style, ormolu-mounted, kingwood bureau plat, stamped 'Zwiener' Having an inset leather top, three frieze drawers with dummy drawers to the rever...

A fine late 19th century gilt bronze-mounted marble top pedestal by Joseph Zwiener. A tapered body with a bronze mounted wreath above a musical trophy, with volute mounted angl...