Katharine Weber Mixed Media

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

In “Chinoi #2,” Philip and Kelvin LaVerne return to their favorite theme of Chinoiserie reverie, rendering a lyrical vignette from acid etched bronze and pewter. A lone boy sits with...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

Dreamy Flowers. White Silver Floral Painting One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital origina...

In “Chinoi #1,” Philip and Kelvin LaVerne return to their favorite theme of Chinoiserie reverie, rendering a lyrical vignette from acid etched bronze and pewter. A lone figure ascend...

Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note this painting was never matte...

deluxe limited edition of 25 medium: etching, aquatint, with carborundum, collage on paper year: 1980 paper size: 58" x 38" image size: 58" x 38" (145 x 98 cm.) frame size: 65.5" x...

Important work on paper by French artist Jean Halion. Ink, watercolor and colored pencil study done in 1952. Signed top right in ink and dated in pencil 15-9-52. Jean Hélion was ...

A wonderful little abstract gem by Sarkis Sarkisian entitled Still Life with Cream Pitcher. It is a vibrant and beautiful example of mid-century modern abstraction. Framed in a t...

Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...