Kevin Krag Photography

The work is the result of a live guitar improvisation where Krag wore a special suit to paint the instrument while playing it. The body of the guitar got splashes of paint by the mov...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants and ocean driftwood creating botanical instruments that seem to touch on contrasting themes of vitality and decay. He creates breathing and dying objects deeply connected to the passing of time, stilled lives contemplating mortality and the brevity of beauty and life. Photography helps Kevin Krag...

In the mid 1970s, Chuck Taylor sneakers started showing up on the feet of underground rock bands. As much as jeans and guitars, Chucks became part of the rock and roll look. They had a powerful allure and became a fashion icon for anyone with arock and roll sensibility. This piece is an homage to the simple, cheap, and let’s be honest rubber and canvas Chucks. Photography helps Kevin Krag...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

For this body of works, Krag incorporates live and dry flowers,vines, moss, air plants and ocean driftwood creating botanical instruments that seem to touch on contrasting themes of vitality and decay. He creates breathing and dying objects deeply connected to the passing of time, stilled lives contemplating mortality and the brevity of beauty and life. Photography helps Kevin Krag...

Assembled guitars bodies & necks from rescued guitars (built by the artist) Creating the Ícara I was like an initiation. the work contains about 800 feathers and it has a very rock and roll feel as it reminds us of Lenny Kravitz’s love for feathers and boas. It also explores a rite of passage: leaving Buenos Aires, its music, its flavors and ultimately a remembrance, an homage to a dear Argentine singer-songwriter Gustavo Cerati...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants and ocean driftwood creating botanical instruments that seem to touch on contrasting themes of vitality and decay. He creates breathing and dying objects deeply connected to the passing of time, stilled lives contemplating mortality and the brevity of beauty and life. Photography helps Kevin Krag...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants, and ocean driftwood creating botanical instruments that seem to touch on contrasting themes o...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

In the NX Series, Krag uses guitar necks as the space to recreate the score of a rock and roll song that brings strong personal memories. He marks the notes with nails in the guitar’s fretboard and weaves color threads among them to represent the song’s flow. The guitar as an acoustic object does not exist anymore. The object is a soundless fragment of a broken instrument that — through a mnemonic image of the placement of fingers — is referencing a sound the viewer recreates in his mind. Photography helps Kevin Krag...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants and ocean driftwood creating botanical instruments that seem to touch on contrasting themes of vitality and decay. He creates breathing and dying objects deeply connected to the passing of time, stilled lives contemplating mortality and the brevity of beauty and life. Photography helps Kevin Krag...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants and ocean driftwood creating botanical instruments that seem to touch on contrasting themes of vitality and decay. He creates breathing and dying objects deeply connected to the passing of time, stilled lives contemplating mortality and the brevity of beauty and life. Photography helps Kevin Krag...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

In the NX Series, Krag uses guitar necks as the space to recreate the score of a rock and roll song that brings strong personal memories. He marks the not...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral...

Assembled guitars bodies & necks from rescued guitars (built by the artist) Creating the Ícara was like an initiation. the work contains about 800 feathers and it has a very rock and roll feel as it reminds us of Lenny Kravitz’s love for feathers and boas. It also explores a rite of passage: leaving Buenos Aires, its music, its flavors, and ultimately a remembrance, an homage to a dear Argentine singer-songwriter Gustavo Cerati, whose song “Tu cicatriz en mí” brings him back to Buenos Aires. Photography helps Kevin Krag...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...